Pulp Fiction (1994)

Aka: Black Mask

91%

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Crime - Drama | 154 minutes
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Jules Winnfield (Samuel L. Jackson) and Vincent Vega (John Travolta) are two hit men who are out to retrieve a suitcase stolen from their employer, mob boss Marsellus Wallace (Ving Rhames). Wallace has also asked Vincent to take his wife Mia (Uma Thurman) out a few days later when Wallace himself will be out of town. Butch Coolidge (Bruce Willis) is an aging boxer who is paid by Wallace to lose his fight. The lives of these seemingly unrelated people are woven together comprising of a series of funny, bizarre and uncalled-for incidents.

Pulp Fiction can be described as clever, stylized, and rough. The plot revolves around a violence spree, criminal heroes, and dishonesty. Its comic aspect comes from dark humor and irreverent humor. Pulp Fiction's main genres are independent, crime, and music-oriented. In terms of style, it is postmodernist, features an all-star cast, and is nonlinear. In approach, it is realistic. Pulp Fiction is set, at least in part, in an urban environment. It is located in Los Angeles. It takes place in the 1990s. The soundtrack of Pulp Fiction is pop, rock, and soul. The movie has received attention for being groundbreaking...
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, original, and a cult favorite. It is well suited for a boys' night. Note that Pulp Fiction involves strong sexual content, drugs/alcohol, and profanity.
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Jules (Samuel L. Jackson) en Vincent (John Travolta) werken voor de machtige misdadiger Marsellus Wallace (Ving Rhames). Vincent komt in de problemen als hij Mia (Uma Thurman), de vrouw van Wallace, een avondje gezelschap moet houden. Ondertussen is Wallace verwikkeld in een deal met de bokser Butch (Bruce Willis), die Wallace belazert en er met z'n geld vandoor gaat.

Outrageously violent, time-twisting, and in love with language, Pulp Fiction was widely considered the most influential American movie of the 1990s. Director and co-screenwriter Quentin Tarantino synthesized such seemingly disparate traditions as the syncopated language of David Mamet; the serious violence of American gangster movies, crime movies, and films noirs mixed up with the wacky violence of cartoons, video games, and Japanese animation; and the fragmented story-telling structures of such experimental classics as Citizen Kane, Rashomon, and La jetée. The Oscar-winning script by Tarantino and Roger Avar...
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y intertwines three stories, featuring Samuel L. Jackson and John Travolta, in the role that single-handedly reignited his career, as hit men who have philosophical interchanges on such topics as the French names for American fast food products; Bruce Willis as a boxer out of a 1940s B-movie; and such other stalwarts as Harvey Keitel, Tim Roth, Christopher Walken, Eric Stoltz, Ving Rhames, and Uma Thurman, whose dance sequence with Travolta proved an instant classic.
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Outrageously violent, time-twisting, and in love with language, Pulp Fiction was widely considered the most influential American movie of the 1990s. Director and co-screenwriter Quentin Tarantino synthesized such seemingly disparate traditions as the syncopated language of David Mamet; the serious violence of American gangster movies, crime movies, and films noirs mixed up with the wacky violence of cartoons, video games, and Japanese animation; and the fragmented story-telling structures of such experimental classics as Citizen Kane, Rashomon, and La jetée. The Oscar-winning script by Tarantino and Roger Avary ...
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intertwines three stories, featuring Samuel L. Jackson and John Travolta, in the role that single-handedly reignited his career, as hit men who have philosophical interchanges on such topics as the French names for American fast food products; Bruce Willis as a boxer out of a 1940s B-movie; and such other stalwarts as Harvey Keitel, Tim Roth, Christopher Walken, Eric Stoltz, Ving Rhames, and Uma Thurman, whose dance sequence with Travolta proved an instant classic. ~ Leo Charney, Rovi
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Pulp Fiction News Articles

Diary of a Cannes Juror: Here’s What It’s Like to Be on a Jury at the Best Film Festival in the World

I was having some trouble figuring out how to assess my role on a jury at the greatest film festival in the world, so I asked someone with experience in the matter: George Miller .At a dinner celebrating the 70th anniversary of the Cannes Film Festival, I ran into the “ Mad Max ” director, who served as president of the venerated Official Competition a year earlier, and picked his brain for advice.To be fair, Miller’s jury experience was considerably different from my own: He was responsible for choosing the Palme d’Or. I faced a considerably less daunting task as a member of the jury for Critics’ Week, a sidebar featuring first and second features from around the world. When an audience disagrees with a Palme d’Or winner, it can result in infamous moments as when Quentin Tarantino was heckled as he took the stage for “ Pulp Fiction
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