Barton Fink (1991)

BARTON FINK is the Coen brothers' apocalyptic masterpiece about the creative process. John Turturro stars as the title character, an idealistic young man with an ERASERHEAD-like do who believes that writing should be about the living truth, revealing the hopes, the dreams, the tragedies of the common man. When Hollywood comes calling for him to write a wrestling picture for Wallace Beery, Fink suddenly finds himself in Los Angeles with a severe case of writer's block, unable to combine his deep-seated ethics with Hollywood's desire to just make a buck. Fast-talking mogul Jack Lipnick (a terrific Michael Lerner) s...
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ets Barton up at the Hotel Earle, where the writer meets up with Charlie Meadows (John Goodman), a traveling insurance salesman who is ready to fill Barton's head with tales of the common man--but Fink is too busy espousing his defense of the common man to actually listen to him. So Barton seeks to find the answers in W.P. Mayhew (John Mahoney), a Faulkneresque novelist who has sacrificed his morals for the B-pictures and the bottle. When the disillusioned Fink finds himself part of a murder investigation, all hell breaks loose. Joel and Ethan Coen's BARTON FINK is a multilayered, complex psychological study of the creative mind that is as frightening and bizarre as it is hysterically funny.
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The title character, played by John Turturro, is a Broadway playwright, based on Clifford Odets, lured to Hollywood with the promise of untold riches by a boorish studio chieftain (played by Michael Lerner as a combination of Louis B. Mayer and Harry Cohn). Despising the film capital and everything it stands for, Barton Fink comes down with an acute case of writer's block. He is looked after by a secretary (Judy Davis) who has been acting as a ghost writer for an alcoholic screenwriter (John Mahoney, playing a character based on William Faulkner). Also keeping tabs on Fink is a garrulous traveling salesman (John ...
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Goodman), the most likeable, stable character in the picture. And then comes the plot twist to end all plot twists, plunging Barton Fink into a surreal nightmare that would make Hieronymus Bosch look like a house painter. Once more, Ethan and Joel Coen serve up a smorgasbord of quirkiness and kinkiness, where nothing is what it seems and nothing turns out as planned.
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New York, 1941: de intellectuele toneelschrijver Barton Fink komt naar Hollywood om een worstelfilm voor Wallace Beery te schrijven. Hij verblijft in het vreemde Hotel Earle, waar hij met een flink writer's block worstelt. Zijn buurman, de vrolijke verzekeringsverkoper Charlie Meadows, probeert hem te helpen, maar een reeks bizarre gebeurtenissen zorgen ervoor dat Fink steeds verder van zijn taak afgeleid wordt.

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