Basic Instinct (1992)

Nick Curran is een fanatieke detective met een zwak voor alcohol. Als hij een brutale lustmoord op een gevierde rockster onderzoekt, beseft hij niet dat hij in een web van leugens, intriges en wellust zal terechtkomen. Een dodelijk web... zo kruist de sensuele Catherine zijn pad, verleidelijk en gevaarlijk. Zij is de eerste verdachte.

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This cold, stylish erotic-thriller grossed over $100 million at the box-office despite vigorous protests at its depiction of gays and women. The shocking opening sequence features a graphic sexual encounter involving a rock-star bound with a white Hermes scarf by an unidentified blond woman. Despite the fact that the scene ends with a bloody icepick murder (horrifyingly realized by makeup artist Rob Bottin), Hermes scarves quickly sold out at stores nationwide. This seeming paradox is at the heart of the film's appeal, as it mixes perverse sexuality and erotic bloodshed in a manner common to European thrillers (d...
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irector Paul Verhoeven had done it himself in 1979's marvelous De Vierde Man) but mostly taboo in America. The plot concerns Catherine Tramell (Sharon Stone), a successful bisexual mystery writer who may also be a ruthless murderer. Everyone close to Catherine dies, and troubled policeman Nick Curran (Michael Douglas) must find out why. In the process, Nick becomes sexually involved with both Catherine and police psychiatrist Beth Gardner (Jeanne Tripplehorn), while the bodies begin piling up and Catherine turns the cat-and-mouse game around on Nick. Verhoeven and screenwriter Joe Eszterhas -- who was paid $3 million for the script -- keep the tension ratcheted up throughout, even during the frequent sex scenes, which carry a violent edge reminiscent of the Italian thrillers of Dario Argento. The film's most notorious scene, a police interrogation in which Catherine makes drooling idiots out of her captors by revealing that she is not wearing underwear, became a cultural touchstone and was widely imitated and parodied. Sharon Stone, meanwhile, was embarrassed to the point that she claimed Verhoeven had aimed lights on strategic locations without her knowledge. George Dzundza and Dorothy Malone co-star.
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This steamy thriller to end all steamy thrillers stars Michael Douglas as Nick, a boozy San Francisco police detective who finds himself drawn to the prime suspect in a murder case--manipulative, sexually uninhibited novelist Catherine Trammell (Sharon Stone). Catherine's latest book features a murder uncannily similar to the one Nick is investigating, and as the pair engage in a mating dance of dangerous one-upmanship, more murders occur, all described in her current work, about a boozy cop in love with a killer. Nick's psychiatrist (Jeanne Tripplehorn), and cop partner (George Dzundza) are both worried about hi...
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m, and Catherine's jealous lesbian lover (Leilani Sarelle) may be trying to kill him, but Nick is just too turned on to care.

Director Paul Verhoeven shows an admirable lack of restraint in this ludicrously enjoyable thriller, a sort of postmodern noir with Joe Eszterhas's script coming off like Mamet by way of Penthouse. Stone and Douglas exhibit fine chemistry (and most of their bodies), and there's some lovely Bay Area scenery courtesy of cinematographer Jan de Bont (who went on to direct films such as SPEED and TWISTER). Wayne Knight (Newman from SEINFELD) and Mitch Pileggi (Skinner from THE X-FILES) are precinct heads who question Catherine in the infamous leg-crossing scene.
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