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Between his tax problems and his legal battle with his wife for the custody of his daughter, these are hard times for the action movie star who finds that even Steven Seagal has pinched a role from him! In JCVD, Jean-Claude Van Damme returns to the country of his birth to seek the peace and tranquility he can no longer enjoy in the United States.
In JCVD, a French- and English-language film from savvily tenebrous director Mabrouk El Mechri, Jean-Claude Van Damme is Jean-Claude Van Damme. Losing his roles to Steven Seagal and a custody battle over his young daughter, the international action hero is struggling to maintain relevancy on levels both professional and personal. But when Jean-Claude walks into a bank to withdraw his attorney fees and is suddenly in the thick of a heist, is the haggard superstar orchestrating the stickup? Or is he simply a hostage, as trapped by fame as he is by criminals, who happens to know a couple of take-down moves?
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br/>Don't be fooled by its action-ready premise; JCVD isn't quite the latest kickboxing carousal from the Muscles from Brussels. It's something even better: a sad, seriocomic meta-movie that may recall BEING JOHN MALKOVICH or one of Charlie Kaufman's many other ontological curios in the minds of some viewers. But, while both JCVD and MALKOVICH examine the strangeness of celebrity through the lens of absurdist self-referential filmmaking, and both films choose a fascinating, quasi-alienating aesthetic of vibrantly muddy mid-tones, JCVD dresses its dankness in glaringly blown-out lighting effects that acknowledge a topsy-turvy world in which artifice sits just upon reality. It also assumes the opposition of its Kaufman counterpart by being the one to look at fame from within (which is ironic, since it isn't the one that features people entering an actor's head and peeping though his eyes). Buzzily hilarious, JCVD is a personal, deeply felt film. Van Damme's delivery of a Fellini-esque soliloquy about the angst of fame could've resulted in the action star coming across as a crybaby. Instead, the speech, in which he breaks the fourth wall and expresses his ironic frustrations, is revelatory and heartbreaking.
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Jean-Claude Van Damme plays himself in this meta-crime comedy that finds him garnering mores headlines than he's had in years after stumbling into an in-progress bank heist. Down and out, with only straight-to-DVD titles under his belt and a recent job lost out to fellow has-been Steven Seagal, the aging action star returns to Belgium a broken man fresh from losing a custody case for his daughter in Hollywood. Upon his arrival, the bad news continues with a disastrous ATM encounter that leads him into the bank and straight into a robbery situation, for which he's about to be blamed. Soon, crowds grow outside on t...
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he street, with the cops quick to point the finger at him and his fans cheering for his release. The film garnered a cult following during its festival run and awarded Van Damme his first theatrical release in the States in almost a decade.
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J.C.V.D. is een lichtelijk uitgerangeerde filmster die bezig is met de opnames van alweer een straight-to-video actiefilmpje. Hij heeft pas het afkickcentrum verlaten en de voogdij over zijn dochtertje verloren. Hij reist naar zijn geboorteland België om daar de rust te vinden die hij in Amerika niet heeft. Tevergeefs uiteraard.
JCVD News Articles
People have been talking about Abduction a bit today, because of the tangentially-related news about Stretch Armstrong dumping Taylor Lautner and going to a new studio home at Relativity [1]. Which, strangely, makes today a good one for the arrival of the trailer for another film in which a son discovers that his parents are connected to something secret and potentially violent. This film is called The Cold Light of Day. It is a thriller directed by Mabrouk El Mechri ( Jcvd ), in which Henry Cavill ( The Tudors , Immortals , Man of Steel ) is on vacation with his family, but returns to find them gone. Turns out his dad ( Bruce Willis ) is actually CIA, and Cavill's character is caught in the middle of a violent information exchange driven in part by Sigourney Weaver . Check out the trailer below. The film looks very routine -- not bad, just familiar and only like something that
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