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Aka: Seven
A film about two homicide detectives' desperate hunt for a serial killer who justifies his crimes as absolution for the world's ignorance of the Seven Deadly Sins. The movie takes us from the tortured remains of one victim to the next as the sociopathic "John Doe" sermonizes to Detectives Sommerset and Mills -- one sin at a time. The sin of Gluttony comes first and the murderer's terrible capacity is graphically demonstrated in the dark and subdued tones characteristic of film noir. The seasoned and cultured Sommerset researches the Seven Deadly Sins in an effort to understand the killer's modus operandi while gr...
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een Detective Mills scoffs at his efforts to get inside the mind of a killer...
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Gluttony, greed, sloth, envy, wrath, pride, and lust--these are the seven deadly sins that are being punished with unimaginable cruelty and calculation by an enigmatic killer in David Fincher's bleak thriller SEVEN. Set in a perpetually gloomy unnamed city, the film follows Somerset (Morgan Freeman), a retiring police detective, as he experiences his final week on the job, reluctantly working with assertive newcomer Mills (Brad Pitt). When an obese man is found brutally murdered in his home, the seasoned Somerset realizes this is no ordinary killing--someone tortured him because of his appetite. Slayings that ref...
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lect the sins of greed and sloth soon follow, leading Somerset and Mills on a desperate search to find the mysterious John Doe, who is responsible for these methodical murders. As the case builds to a startling conclusion, both Somerset and Mills become more involved than they ever could have imagined.
After a brief opening scene, SEVEN immediately cuts to a highly stylized title sequence. An intricate collage of books and photos, scissors and razors, and blood and skin eerily captures the dark, graphic tone of Fincher's intriguing mystery. The film cleverly avoids depicting most acts of violence onscreen, focusing instead on the cryptic remains of the crimes, allowing viewers to investigate along with the detectives. An example of nearly flawless filmmaking, the movie features a meticulously crafted screenplay, brilliant photography and design, sure-handed direction, and excellent performances from the entire cast. All of these elements combine to amazing effect in the film's unforgettably stunning finale.
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Director David Fincher's dark, stylish thriller ranks as one of the decade's most influential box-office successes. Set in a hellish vision of a New York-like city, where it is always raining and the air crackles with impending death, the film concerns Det. William Somerset (Morgan Freeman), a homicide specialist just one week from a well-deserved retirement. Every minute of his 32 years on the job is evident in Somerset's worn, exhausted face, and his soul aches with the pain that can only come from having seen and felt far too much. But Somerset's retirement must wait for one last case, for which he is teamed w...
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ith young hotshot David Mills (Brad Pitt), the fiery detective set to replace him at the end of the week. Mills has talked his reluctant wife, Tracy (Gwyneth Paltrow), into moving to the big city so that he can tackle important cases, but his first and Somerset's last are more than either man has bargained for. A diabolical serial killer is staging grisly murders, choosing victims representing the seven deadly sins. First, an obese man is forced to eat until his stomach ruptures to represent gluttony, then a wealthy defense lawyer is made to cut off a pound of his own flesh as penance for greed. Somerset initially refuses to take the case, realizing that there will be five more murders, ghastly sermons about lust, sloth, pride, wrath, and envy presented by a madman to a sinful world. Somerset is correct, and something within him cannot let the case go, forcing the weary detective to team with Mills and see the case to its almost unspeakably horrible conclusion. The moody photography is by Darius Khondji; the nauseatingly vivid special effects are by makeup artist Rob Bottin, best known for more fantasy-oriented work in films like The Howling (1981).
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De New Yorkse politieagent William Somerset heeft nog zeven dagen dienst alvorens hij met pensioen gaat. De tijd die hem nog rest spendeert hij aan de opleiding van zijn opvolger David Mills tot zij opgeroepen worden voor een vrij ongewone moord. In de daaropvolgende, slopende dagen vinden er nog meer moorden plaats. Voor Somerset, een belezen man, begint het te dagen...
Se7en News Articles
" The Girl with the Dragon Tattoo " opens this week, marking David Fincher 's third obsessive film about an intense hunt for a serial killer. What are Fincher 's cinematic fixations when dealing with the pathology of murder? Fincher 's first contribution to the international franchise and third to his own serial killer oeuvre illuminates themes and forms from his previous work. Seeing " The Girl with the Dragon Tattoo " makes returning to " Se7en " and " Zodiac " more enjoyable. The three films are pieces in an ongoing sub-body of work that is methodical, ruthless and breathlessly watchable. Se7en (1995) Fincher 's first serial killer
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