Vatel (2000)

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In 1671, with war brewing with Holland, a penniless prince invites Louis XIV to three days of festivities at a chateau in Chantilly. The prince wants a commission as a general, so the extravagances are to impress the king. In charge of all is the steward, Vatel, a man of honor, talent, and low birth. The prince is craven in his longing for stature: no task is too menial or dishonorable for him to give Vatel. While Vatel tries to sustain dignity, he finds himself attracted to Anne de Montausier, the king's newest mistress. In Vatel, she finds someone who's authentic, living out his principles within the casual cru...
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elties of court politics. Can the two of them escape unscathed?
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Francois Vatel is de trouwe en toegewijde bediende van de trotse maar oude, geruïneerde Prins de Conde. De prins wil Lodewijk XIV voor zich winnen om op die manier het opperbevel te krijgen bij een militaire ingreep tegen de Nederlanders. In dit kader vraagt de prins aan Vatel zich te ontfermen over de ont-angst van Lodewijk XIV en het Hof van Versailles op het kasteel van Chantilly. De feestelijkheden zullen 3 dagen en 3 nachten duren en moeten absoluut betoverend zijn.

Set in 1671 France under the decadent reign of Louis XIV, VATEL charts the events of a three-day feast in an impoverished western province. In an effort to impress the gilded king and then ask him for financial support, Prince de Condé (Julian Glover) invites Louis XIV (Julian Sands) to his country chateau for a weekend of courtly merriment. Gerard Depardieu stars as Vatel, the chef and entertainment planner, who must succeed in presenting the most lavishly organized occasion the king has ever witnessed. Vatel masterminds the sumptuous details of the weekend with gusto and charming bravura. The chateau of de Con...
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dé is transformed into a world of delights, enthralling the king, his court, and especially the king's favorite lady-in-waiting, Anne de Montausier (Uma Thurman). But when the kindly Vatel wins Anne's fancy, he is in danger of angering the opulent and lustful king and his villainous cohort Marquis de Lauzan (Tim Roth). Based on a true story, with a screenplay cowritten by Tom Stoppard and Jeanne LaBrune, this decadent period piece from director Roland Joffé is a fine visual confection. The film features stunning production and costume design that captures the opulence of France's most legendary court and most celebrated king.
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