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Nick Wells, a professional criminal, decides to leave the business for good, since he nearly got caught on his last job. His plan is to live in peace with his girl Diane, running his Montreal jazz club NYC. Soon Max, his good friend and financial partner in the illegal affairs, comes along with an offer Nick can't refuse: A historical and priceless French sceptre has been discovered while being smuggled into the country. It is now under massive surveillance in the Montreal Customs House, and soon to be returned to France. Nick has to team up with Max' man inside, the young, talented and aggressive thief Jackie Te...
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ller to get the precious item, and suffer no more financial problems ever. Only one question remains: Who will trick whom out of their share?
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Every thief dreams of the big heist that will allow him to leave the business of crime behind. Every thief except Nick (Robert De Niro), a cool, methodical safecracker who never takes on long-shot jobs until his longtime partner, Max (Marlon Brando), offers him the big score--to filch a priceless scepter from the Montreal customs house. Wary about the job, Nick and the hotheaded customs house "insider," Jackie (Edward Norton), begin to dissect the elaborate details of entering the building, avoiding the security measures, blowing the safe, and escaping with the scepter. But as in every thrilling crime caper, plan...
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s go awry.
Skilled comic director Frank Oz is clearly comfortable working with the best method actors from the past three generations. Brando's Max bursts with joyful cynicism, while De Niro is Brando's perfect foil, so collected that every smile seems like a revelation. Norton's Jackie is far more expressive, but it is Norton's smallest movements--holding a gaze a half beat too long--that hint at the secret motives pulsing beneath his skin. Smooth like the scotch Nick likes to drink, and swirling with tension, THE SCORE provides the real payoff to the audience.
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Three generations of method acting giants unite for this crime thriller written by Kario Salem and directed by Frank Oz. Robert De Niro stars as Nick Wells, an aging thief whose specialty is safecracking and who is on the verge of retiring to a life of ease, running his jazz club and romancing his girlfriend Diane (Angela Bassett). But before he can ride off into the sunset, Nick is pressured to do one last job by his mentor and business partner, a flamboyant and extravagant upscale fence named Max (Marlon Brando). Max is plotting the heist of the Montreal Customs House, and he's got a man on the inside, Jackie T...
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eller (Edward Norton), a talented but volatile crook who has managed to ingratiate himself with the facility's staff as a fellow employee suffering from cerebral palsy. Jackie bristles at Nick's interference in "his" score, however, and threatens violence when it seems he's going to be cut out of the action. In the meantime, Nick grows increasingly ill at ease about the operation, as it violates his two most important dictums in thievery: always work alone and never pull a job in your own city. The part of Max in The Score was written specifically for Brando by screenwriter Salem, although the improvisational star and his director Oz reportedly clashed during filming.
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Nick Wells, een professionele crimineel, besluit het criminele leventje achter zich te laten. Zijn goede vriend Max komt met een plan dat Nick niet kan afslaan: een historisch Frans object is ontdekt terwijl het het land werd ingesmokkeld. Nick moet samenwerken met de jonge dief Jackie Teller om het waardevolle object in zijn bezit te krijgen.
The Score News Articles
[1] When Universal recently dropped [2] Paul Greengrass 's Martin Luther King Jr. film Memphis [3] due to a rumored lack of cooperation from King's estate, it became obvious getting a film done about the civil rights leader was going to take a huge effort. Hopefully the combined resources of two studios might do the trick. The Hollywood Reporter is exclusively reporting that DreamWorks, which has the official life and intellectual property rights [4] to King, as well as the cooperation of his family, is teaming up with Warner Bros., which has a well-researched script by Kario Salem ( The Score , Mavericks [5]), to make one mega film about the great civil rights leader. Read more after the break. According to The Hollywood Reporter [6], because the Greengrass project, as well as a project called Selma [7] with director Lee Daniels and star David Oyelowo attached [8], were having problems getting off the ground, both DreamWorks and Warner Bros.
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