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An attorney in a rush to make a court appointment to file legal papers involving a multi-million dollar trust accidentally collides with an alcoholic insurance salesman, who also is a rush for a court appointment involving the custody of his children. The attorney leaves the scene of the accident and strands the salesman, causing him to miss his custody hearing. During the process of the post-crash discussion, the attorney accidentally drops the papers he needs to present in court. The judge gives him until the end of the day to present the papers and thus begins a cat and mouse game between the proponents. A few...
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questionable actions later on both parties' part, they finally start questioning their actions and their lives. In the end, both come to new understanding of what is important and appear to be set in new ethical and moral directions. Contains mild violence and profanity.
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Two cars collide on the FDR expressway. Their drivers--two seemingly opposite men--are Gavin Banek (Ben Affleck), a young white partner in a powerful law firm, and Doyle Gipson (Samuel L. Jackson), a meek, working-class black man. At the scene of this fender bender, Gavin, who is busy trying to make a business appointment on his cell phone, offers Doyle a blank check to cover damages. Doyle, wanting to properly exchange information, declines, causing Gavin to flee the accident site. In his haste, Gavin leaves behind an important legal file which Doyle uses to his advantage, setting off a brutal cycle of revenge b...
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etween these two men who began this Good Friday as strangers.
A class commentary that is decidedly different from director Roger Michell's previous film, NOTTING HILL, CHANGING LANES provides very little information about its two central characters before the moment of their car accident. Michell introduces them by crosscutting between both men speaking publicly--Gavin is lecturing to a charitable foundation, Doyle is talking at an AA meeting. These techniques of crosscutting and mirror imaging are used effectively throughout the film to underscore that the obvious social and economic differences between the two men doesn't disguise the dark and angry nature that exists in both of these men, and potentially in all of humanity.
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Director Roger Michell follows up the hit romantic comedy Notting Hill (1999) with this thought-provoking thriller. Ben Affleck and Samuel L. Jackson star, respectively, as Gavin Banek and Doyle Gibson, two New York men whose lives become accidentally intertwined in a Good Friday fender bender on the FDR Drive. Late for a crucial appointment, hotshot lawyer Gavin tosses Doyle a blank check and leaves the scene, while Doyle, whose car is inoperable, is late for a court-appointed custody hearing. A recovering alcoholic, Doyle's tardiness doesn't sit well with the judge, who - sick of waiting for Gipson - grants cus...
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tody to Doyle's ex-wife in Doyle's absence. The situation worsens when it becomes evident that Doyle has an equally important file belonging to Gavin, which proves that an elderly man gave Banek's firm power-of-attorney over his foundation. So begins an escalating war of words and deeds between the two men. Soon, egged on by an associate (Toni Collette), Gavin hires a "fixer" (Dylan Baker) to destroy Doyle's credit, forcing Doyle to fire back with some cunning moves of his own. Changing Lanes co-stars William Hurt, Sydney Pollack, and Toni Collette.
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De ambitieuze advocaat Gavin Banek moet een belangrijk dossier afleveren bij de rechtbank. De wanhopige vader Doyle Gibson heeft net een nieuw huis voor zijn ex-vrouw en twee zoontjes gekocht in de hoop ze terug te krijgen. Wanneer de twee in een verkeersongeluk met elkaar terecht komen raakt Banek z'n dossier kwijt, en mist Gibson een belangrijke afspraak bij de rechtbank. De ruzie die op het ongeluk volgt escaleert aangezien Banek wanhopig is om zijn dossier terug te krijgen.
Changing Lanes News Articles
Exclusive: McG 's Wonderland Sound and Vision has launched a new comic and graphic novel imprint to create transmedia properties out of original ideas. The first title will be Haunted City, based on an idea by screenwriter Chap Taylor . Taylor and Wonderland's Peter Johnson will write the comic, will be published by Wonderland in association with Aspen Comics. It will simultaneously be developed into a feature script that McG hopes to direct, as well as a TV pilot that Wonderland will executive produce. A vidgame is also in the works. Taylor scripted Changing Lanes and is adapting Gideon's War for Michael Bay and Paramount.
The comic is a dark, supernatural story set in major cities around the world, with New York the venue for the first comic.
"As a filmmaker, I want to work with talent like Chap to build new models that allow us to create more freely," McG said.
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