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Aka: Stalker
Seymour 'SY' Parrish has been doing photo development for 20 years. He has a vast knowledge of modern photography and develops photos at a local department store for a living. But SY lives a sad and lonely life and begins spying on the Yorkin family, his biggest customers who seem to have everything in the world. SY begins to feel that he wants to be in the Yorkin's life, but when he discovers that the Yorkins are not as perfect as they seem, he becomes a man on a mission to expose the imperfections of the Yorkin family that could tear them apart.
Viewed through our photographs, it would seem we have lived a joyous, leisurely existence. Sy Parrish (Robin Williams), who makes this observation, adversely leads a lonely life, operating a photo lab in a SavMart department store. He escapes his dreary reality through the family photos of Nancy Yorkin (Connie Nielsen) and her family. His admiration of the Yorkins becomes an obsession, as he fashions himself as Uncle Sy to little Jake (Dylan Smith). Sy's judgment becomes impaired by his unhealthy interest, causing him to lose his job of 11 years. As his final day approaches, Sy develops photographs revealing an i...
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ndiscretion on the part of Mr. Yorkin (Michael Vartan). The unstable Sy now develops a disturbing, calculated plan to instill family values to the Yorkin clan.
Much of ONE HOUR PHOTO takes place inside a department store similar to a Wal-Mart, bordered in an icy blue. This cold atmosphere creates a solitary framework for the disturbed photo developer Sy Parrish, played with a melancholic detachment by Williams, working here against type. Director Mark Romanek (STATIC) has created a thriller with little violence. Instead, it is permeated with an uncomfortable fear emanating from its damaged protagonist.
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Russian director Andrei Tarkovsky's Stalker, an allegorical science fiction film like his earlier Solaris, was adapted from the novel Picnic by the Roadside by brothers Boris Strugatsky and Arkady Strugatsky. The film follows three men -- the Scientist (Nikolai Grinko), the Writer (Anatoliy Solonitsyn), and the Stalker (Alexander Kaidanovsky) -- as they travel through a mysterious and forbidden territory in the Russian wilderness called the "Zone." In the Zone, nothing is what it seems. Objects change places, the landscape shifts and rearranges itself. It seems as if an unknown intelligence is actively thwartin...
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g any attempt to penetrate its borders. In the Zone, there is said to be a bunker, and in the bunker: a magical room which has the power to make wishes come true. The Stalker is the hired guide for the journey who has, through repeated visits to the Zone, become accustomed to its complex traps, pitfalls, and subtle distortions. Only by following his lead (which often involves taking the longest, most frustrating route) can the Writer and the Scientist make it alive to the bunker and the room. As the men travel farther into the Zone, they realize it may take something more than just determination to succeed: it may actually take faith. Increasingly unsure of their deepest desires, they confront the room wondering if they can, in the end, take responsibility for the fulfillment of their own wishes.
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Sy Parrish, een eenzame foto-ontwikkelaar bij de plaatselijke één-uur service, ontwikkelt een ongezonde obsessie met de Yorkin-familie, vaste klanten. Hij fantaseert over een familieband met het gezin, en probeert met ze in contact te komen.
One Hour Photo News Articles
Trent Reznor's score for The Social Network won an Oscar. Will The Girl With the Dragon Tattoo bag him another? Dorian Lynskey meets him at his Beverly Hills homeSome time in the late 1990s, the music video director Mark Romanek approached his friend Trent Reznor to compose the score for his feature debut One Hour Photo , a thriller in which lab technician Robin Williams becomes obsessed with a suburban family. It was not the happiest time for Reznor, who was straining to complete the third Nine Inch Nails album and, he says, was about to "slip off a cliff of addiction". While things were still at the demo stage, he received an apologetic call from Romanek saying the studio was pressuring him to use a "real composer".The physical evidence of how much has changed since those days is 34cm tall, gold-plated and stands on the mantelpiece of Reznor's house in Beverly Hills.
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