13 Ghosts (1960)

Aka: Spider

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Dennis Clegg is in his thirties and lives in a halfway house for the mentally ill in London. Dennis, nicknamed "Spider" by his mother has been institutionalized with acute schizophrenia for some 20 years. He has never truly recovered, however, and as the story progresses we vicariously experience his increasingly fragile grip on reality.

Based on the novel by Patrick McGrath, David Cronenberg's psychological drama follows Dennis "Spider" Cleg (Ralph Fiennes), a mentally disturbed man who has just been released from an asylum. Upon taking up residence in a seedy London apartment building, the already introverted Spider begins to retreat further into his own thoughts, shutting out the caretaker, Mrs. Wilkinson (Lynn Redgrave), and other eccentric tenants such as the wistful Terrence (John Neville). Within the confines of his mind, the anxious Spider revisits his childhood and literally watches his younger self (Bradley Hall) as he interacts with hi...
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s doting mother (Miranda Richardson) and distant father (Gabriel Byrne). As his visions of the past continue, tragedy strikes and the dark history of Spider's life is slowly revealed.

A surprisingly subtle outing for Cronenberg, SPIDER carefully avoids the director's grotesque "body horror" aesthetic, common to films such as VIDEODROME and THE FLY. By leaving his signature bag of tricks behind, Cronenberg frees himself to tell one of the most compelling stories of his career. The film is anchored by Fiennes' impressive performance as the mumbling, reclusive, and strangely sympathetic title character. In the hands of a less experienced and dynamic actor, Spider's awkward presence could border on caricature, but Fiennes imbues the self-isolated man with dignity and depth. Aiding Fiennes and Cronenberg in this minimalist masterpiece are McGrath (who has carefully pared down his hallucinatory prose), composer Howard Shore, and cinematographer Peter Suschitzky, along with actors Byrne, Hall, Redgrave, Neville, and, most notably, Richardson in a remarkable triple role.
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Ralph Fiennes plays a grown man haunted by his childhood in David Cronenberg's stylized psychological drama Spider. Upon his release from a mental institution, Spider (Fiennes) takes up residence in a halfway house. Paranoid, quiet, and forever making notes, Spider spends much of the film remembering scenes from his youth, specifically a horrific event from his childhood that occurred after he came to believe that his father (Gabriel Byrne) was having an affair on his mother (Miranda Richardson). The psychological terror builds to a climax that challenges how much the viewer can believe Spider's recollections of ...
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the event. Bradley Hall plays Spider as a boy, and Richardson portrays many different women who come into contact with Spider. Spider was screened in competition at the 2002 Cannes Film Festival.
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De Londense wijk East End, ergens in de jaren '60. De twaalfjarige Dennis Cleg, alias Spider, ziet hoe zijn vader op wrede wijze zijn moeder vermoordt. De prostituee Yvonne zal haar plaats innemen. Uit angst dat ze hem ook willen vermoorden, smeedt Spider een krankzinnig plan. De gevolgen zijn tragisch. Twintig jaar later komt Spider vrij uit een psychiatrische inrichting en neemt zijn intrek in een rehabilitatiecentrum in zijn vroegere wijk. De schizofrene man keert terug in het verleden en gaat op zoek naar de waarheid. Maar fictie en werkelijkheid lopen voor hem door elkaar, met alle gevolgen vandien.

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13 Ghosts News Articles

Venice '11 Review: Cronenberg's 'A Dangerous Method' An Insightful Look At Sexuality & The Mind

The recent career of David Cronenberg has been an interesting thing to watch. Having made his name with a very particular, icky brand of fetish-happy body horror, he hasn't dipped back into that well for a decade now, preferring instead to take his obsessions and use them to spice up what in other hands could be standard fare. And generally speaking, it has worked well: " Spider ," " A History Of Violence " and "Eastern Promises" all have much to recommend them, all peculiarly Cronenbergian, but each pushing in a slightly different direction. But now, he's made what, on the surface at least,…
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