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Harvey Pekar is file clerk at the local VA hospital. His interactions with his co-workers offer some relief from the monotony, and their discussions encompass everything from music to the decline of American culture to new flavors of jellybeans and life itself. At home, Harvey fills his days with reading, writing and listening to jazz. His apartment is filled with thousands of books and LPs, and he regularly scours Cleveland's thrift stores and garage sales for more, savoring the rare joy of a 25-cent find. It is at one of these junk sales that Harvey meets Robert Crumb, a greeting card artist and music enthusias...
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t. When, years later, Crumb finds international success for his underground comics, the idea that comic books can be a valid art form for adults inspires Harvey to write his own brand of comic book. An admirer of naturalist writers like Theodore Dreiser, Harvey makes his American Splendor a truthful, unsentimental record of his working-class life, a warts-and-all self portrait. First published in 1976, the comic earns Harvey cult fame throughout the 1980s and eventually leads him to the sardonic Joyce Barber, a partner in a Delaware comic book store who end ups being Harvey's true soul mate as they experience the bizarre byproducts of Harvey's cult celebrity stature.
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Harvey Pekar, the hilariously downtrodden Cleveland comic book artist, is the subject of AMERICAN SPLENDOR, titled after Pekar's autobiographical series. Played by actor Paul Giamatti, Pekar also appears as himself, giving the film a documentary feeling with many behind-the-scenes on-set shots. Directors Shari Springer Berman and Robert Pulcini maintain this balance between the actors and the real-life characters--Pekar's wife Joyce and coworker Toby also appear on set as themselves--while crafting a funny, difficult, heartwarming tale that encapsulates Pekar's life, work, and uniquely bizarre perspectives.
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Pekar is a pessimistic file clerk with no hope of ever rising above his boring job, slobbish apartment, and bad attitude. Wonderfully set in his ways, Pekar's constant self-deprication is clearly a front for his prolific interests in music and art. When his friend Robert Crumb (James Urbaniak) gets his big break as a comic book artist, Pekar decides to try his hand at the craft. Though he can't illustrate, his stories are good, and Crumb agrees to help draw the pictures. Soon several artists are illustrating Pekar's American Splendor series, and the comic book's readership grows. The film continues through the events of Pekar's life--meeting wife Joyce Brabner, appearing on David Letterman, struggling with cancer, and adopting a daughter--always showing Pekar's no-frills approach to life. A creative and punchy film, AMERICAN SPLENDOR invites viewers into the odd world of Pekar and his comic-book antihero persona.
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The documentary directing team of Robert Pulcini and Shari Springer Berman makes their narrative feature debut with the biographical comedy drama American Splendor. Harvey Pekar (Paul Giamatti) is a comic book writer inspired by the work of his friend Robert Crumb (James Urbaniak). Pekar writes his comics about the sad monotony of everyday life, based on his own life in Cleveland, OH, working as a file clerk at a veteran's hospital and spending his time reading books and listening to jazz. He meets up with Joyce Brabner (Hope Davis) and they enjoy a depressive relationship together. The filmmakers employ a combin...
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ation of live-action film, video, and animation, including narration and commentary from the real-life Harvey Pekar. The screenplay was based on Pekar's comic book series American Splendor, which he has been writing since 1976 on Dark Horse Comics, and the 1994 book-length comic Our Cancer Year, written by Pekar and Brabner. American Splendor won the Grand Jury Prize in the Dramatic Competition at the 2003 Sundance Film Festival.
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Harvey Pekar is file clerk at the local VA hospital. His interactions with his co-workers offer some relief from the monotony, and their discussions encompass everything from music to the decline of American culture to new flavors of jellybeans and life itself. At home, Harvey fills his days with reading, writing and listening to jazz. His apartment is filled with thousands of books and LPs, and he regularly scours Cleveland's thrift stores and garage sales for more, savoring the rare joy of a 25-cent find. It is at one of these junk sales that Harvey meets Robert Crumb, a greeting card artist and music enthusias...
Read more
t. When, years later, Crumb finds international success for his underground comics, the idea that comic books can be a valid art form for adults inspires Harvey to write his own brand of comic book. An admirer of naturalist writers like Theodore Dreiser, Harvey makes his "American Splendor" a truthful, unsentimental record of his working-class life, a warts-and-all self portrait. First published in 1976, the comic earns Harvey cult fame throughout the 1980s and eventually leads him to the sardonic Joyce Barber, a partner in a Delaware comic book store who end ups being Harvey's true soul mate as they experience the bizarre byproducts of Harvey's cult celebrity stature.
Read less..
Harvey Pekar is een pessimist met weinig hoop om ooit verder te komen dan z'n saaie baantje in een ziekenhuis. Wanneer hij Robert Crumb ontmoet krijgt hij z'n grote doorbraak als comic schrijver. We zien hoe Pekar z'n vrouw Joyce ontmoet, een vaste gast wordt bij David Letterman, en hoe hij kanker overwint.
American Splendor News Articles
In our writers' favourite films series, Amy Fleming explains why she's drawn to the world of comic-book author Harvey Pekar • Don't spare us the graphic detail, post your own review of American Splendor – or get comical in the commentsThe underground comic writer Harvey Pekar didn't really do happy, but he did truth and humour in spades, which is why American Splendor , a 2002 film about Pekar (in which he also appears), got under my skin in a big way. "If you're the kind of person looking for romance or escapism or some fantasy figure to save the day," warns his rasping narration at the start, "guess what? You got the wrong movie." Sometimes, a little cinematic holiday from the gloss and fantasy of Hollywood is just what the doctor ordered.Pekar, a downtrodden hospital file clerk, chronicled the intricacies of his glum life in depressed Cleveland, Ohio, in his ironically named American Splendor comic books.
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