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Based on a true story, this is about the Irish journalist Veronica Guerin (Cate Blanchett), a reporter for The Sunday Independent, who exposed some of Dublin's most powerful crime barons and drug lords in 1996. But later that year she was gunned down by assasins hired by the same criminal drug lords she exposed.
VERONICA GUERIN, produced by Jerry Bruckheimer and directed by Joel Schumacher, is the true story of the tenacious Irish crime reporter (Cate Blanchett) who exposed the brutal drug trade in 1990s Dublin. Veronica Guerin's intense dedication to her journalism, reckless hunger for the truth, and profound sense of social responsibility is grippingly portrayed by Blanchett in a magnetic performance.
Told in flashback, the film begins at the moment of her brutal assassination in 1996 and moves backwards, telling the story of the last two years of her life. A competitive journalist with no drug background, V...
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eronica started her fierce campaign against Dublin's drug trade after witnessing young children playing with hypodermic needles in the city's slums. At that moment she started interviewing addicts and small-time thugs and what she discovered eventually led her into a fiercely protected inner circle of drug kingpins, controlled by the viciously powerful John Gilligan (Gerard McSorley). What began as a search for a story became Veronica's obsession. Her quest overshadowed her duties as a wife and mother and eventually threatened the lives of her husband and child. Heroic yet reckless, she persevered, and after threats and violent beatings she was assassinated by the very gangsters she threatened to expose.
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Producer Jerry Bruckheimer and director Joel Schumacher take on the real-life story of an assassinated Irish journalist in the dramatic thriller Veronica Guerin. Cate Blanchett appears as the title character, a relentless crime reporter for The Sunday Independent during the early '90s. Guerin's violent murder in 1996 led to a revision of Ireland's laws and the creation of the Criminal Assets Bureau. The movie picks up with her pursuit of the underground drug trade in Dublin, which she suspects is led by mobster Martin "The General" Cahill (Gerry O'Brien). When Cahill's gang is attacked, she suspects mobster Gerry...
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"The Monk" Hutch (Alan Devine) is responsible. Not deterred by threats or gunshot wounds, she uses thug John Traynor (Ciarán Hinds) as an informer to help out her investigation of psychotic mobster John Gilligan (Gerard McSorley). Schumacher's protégé Colin Farell appears in a small role.
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In the mid-1990s, Dublin was nothing short of a war zone, with a few powerful drug lords battling for control. Their most fearsome opponent was not the police, but the courageous journalist Veronica Guerin, who covered the crime beat with unmatched intensity. As she investigated and exposed the "pushers," balancing her home and family against her responsibility to her readers and her country, she became a national folk heroine to the people of Ireland; each attempt on her life only galvanized her legend. Her brutal murder in 1996 forced a dramatic revision of Ireland's laws and, as well, led to the arrests of the...
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nation's top criminals.
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Het waargebeurde verhaal over een journaliste die haar leven waagde op zoek naar de waarheid. Halverwege de jaren '90 was het zo goed als oorlog in Dublin, met een paar machtige drugsbaronnen die om de macht streden. Hun meest gevreesde vijand was niet de politie, maar de dappere Veronica Guerin (Blanchett) die onderzoek deed en de drugshandel aan het licht bracht. Ze moest haar verantwoordelijkheid ten opzichte van haar lezers en land afwegen tegen de belangen van haar gezin thuis. Door haar enorme inspanningen, waarmee ze Ierland voorgoed veranderde, werd ze een nationale volksheldin.
Veronica Guerin News Articles
Oh, Joel Schumacher , with your patchiest of patchy careers ever (though some Playlisters will outright call it an awful one). There is some interesting work in your flawed ouevre, including " Tigerland ," and " Falling Down ," but so-so efforts (" Veronica Guerin ") are usually overcome by the ungood (" Phone Booth ," " The Number 23 ," " Twelve "). Pitched somewhere between a B-movie director with good intentions and poor execution and a thoughtless Hollywood A-list director without much vision whose best days are far behind him (think of the days when his career was big enough to score him two "Batman" films, even if he did kill…
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