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Chris Cross, 25 years a cashier, has a gold watch and little else. That rainy night, he rescues delectable Kitty from her abusive boyfriend Johnny. Smitten, amateur painter Chris lets Kitty think he's a wealthy artist. At Johnny's urging, she lets Chris establish her in an apartment (with his shrewish wife's money). There, Chris paints masterpieces; but Johnny sells them under Kitty's name, with disastrous and ironic results.
In this remake of Jean Renoir's controversial 1931 film, LA CHIENNE, Christopher Cross (Edward G. Robinson), a quiet, staid cashier and dedicated Sunday painter, feels consumed by passion for the first time in his life when he meets pretty, manipulative Kitty. The two become involved, but Kitty is really in love with petty crook Johnny. She keeps Christopher around simply for his money. In order to impress his precious mistress, Cross embezzles funds from his employer. He doesn't realize, however, that Kitty and Johnny are also getting rich on his paintings, which are becoming a huge success under Kitty's name. W...
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hen Christopher's theft comes to light, he loses his job and his dignity. And when he seeks out Kitty for solace, he discovers her in Johnny's embrace. The film explodes in its violent climax, and with it Lang creates perhaps his most chilling Film Noir work. The tightly structured story and the evocative paintings that lie symbolically at the center of the plot create a visual and psychological atmosphere of suspense, filled with double meanings and games of representation and appearance, all pointing toward a brutal final act, motivated by Cross' inner demons and repressed emotions.
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Christopher Cross is een eenzame man, getrouwd met een zeurende vrouw. Slechts schilderen kan hem enig plezier brengen. Hij ontmoet Kitty, die denkt dat hij een geweldige schilder is, en ze krijgen een romance. Kitty heeft echter nog een geliefde, een oplichter, die haar overhaalt om Christopher geld af te troggelen.