Brick (2005)

A detective story set around a contemporary California high school, BRICK dares to combine the teen and film noir genres. In mixing these two disparate worlds, Director Rian Johnson creates many comically jarring and ironic moments. When loner Brendan Frye (a barely recognizable Joseph Gordon-Levitt of THIRD ROCK FROM THE SUN) gets a desperate-sounding call from his ex-love Emily (Emilie de Ravin), he feels compelled to help her, plunging himself into the seedy world of teenage crime that pulled her away from him in the first place. Throughout this journey, Brendan plays a hard-boiled type reminiscent of Humphrey...
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Bogart's iconic Sam Spade character. Johnson's script invests heavily in the fiction of Dashiell Hammett and Raymond Chandler, and is filled with other archetypical characters like the femme fatale (Nora Zehetner), the eccentric crime lord (a brilliant Lukas Haas), and the dame in distress (de Ravin). As teens trade in their cell phones for things as old-fashioned as pay phones and 1940s gangster vocabulary, occasional references to detention and first period provide a humorous contrast with the otherwise unbelievable complex, precocious, and largely parentless world that these teens inhabit.

With its heavy reliance on references to old noir classics like THE MALTESE FALCON and THE BIG SLEEP, the film may risk alienating viewers not familiar with these older films. Seeing teenagers speaking in coded detective-movie-style lingo is entertaining, but mixed with the often overlapping, fast-paced but muttered dialogue, it also proves to be distracting at points. People eager to see a predictable teen drama may be confused by BRICK, as its goal is to turn the genre on its head, earning inevitable comparisons to films like 2001's surreal teen fantasy DONNIE DARKO. Because of the film's attention to detail and witty yet hard-to-follow dialogue, BRICK may be better appreciated on second viewing.
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A tough-talking teen attempts to uncover his ex-girlfriend's killer in director Rian Johnson's hard-boiled high-school noir, told in the style of a Dashiell Hammett mystery. An outsider by nature, Brendan (Joseph Gordon-Levitt) is forced to penetrate the elaborate ranks of the high-school social scene and its more insidious underbelly when the body of his former girlfriend Emily is found lying lifeless in a remote creek. Though the pair had been on the outs, Brendan can't seem to shake the hysterical phone call that he received from Emily the day before her body was discovered, a call in which she rattled off a n...
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umber of cryptic words: "brick," "pin," "tug," "poor Frisco." He's determined to find the guilty party, and to do that he'll need to uncover the meaning behind her enigmatic phone call. From the highest-ranking athlete to the lowest-level burnout, no one is above suspicion of leaving her in that creek or putting her in the position to end up there. Brendan's skill for getting the right attention from the right people leads him to a local drug dealer of urban-legendary status (Lukas Haas), who walks with a cane and lives with his mother. As Brendan infiltrates the social and political web more deeply, his theory solidifies and each player's role becomes clear, from the shifty-eyed pot slinger to an upper-crust innocent who may well be a femme fatale. Brendan may soon be ready to make his case, even if it's too late for him to get out.
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De einzelgänger Brendan Frye duikt de onderwereld in van de high school in zijn woonplaats, om de verdwijning van zijn ex-vriendin te onderzoeken.

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