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Aka: Irving Berlin's Easter Parade
Don Hewes and Nadine Hale are a dancing team, but she decides to start a career on her own. So he takes the next dancer he meets, Hannah Brown, as a new partner. After a while this new team is so successful, that Florence Ziegfeld is interested in them, but due to the fact, that Nadine Hale dances also in the Ziegfeld Follies Don says no. Inspite of the fact, that he is in love with Hannah, he keeps the relation to her strictly business. So Hannah is of the opinion, that he is still in love with Nadine, and her suspicion grows, when he dances with Nadine in a Night ClubFloor Show.
Hij verwent haar vreselijk, maar ze voelt niet hetzelfde voor haar partner en krijgt een beter aanbod. Hij is aangeschoten als hij een danseresje de kans geeft haar vervanger te worden. Om te bewijzen dat hij de grote drijfkracht was achter het succes zal hij haar naar de top coachen.
An Irving Berlin spectacular in which Astaire plays the part of a dance man whose partner abandons the act. Fortunately, his new partner turns out to be Garland. This is the only picture in which the two superstars worked together. Academy Awards: Best Scoring of a Musical Picture.
Fred Astaire had announced his retirement before the cameras began to roll on Easter Parade, but he decided to accept the film's leading role when its original star Gene Kelly became incapacitated. The thinnish plot, which finds Astaire trying to turn chorus girl Judy Garland into a star in order to show up his former partner Ann Miller, is hardly what keeps the audience's eyes riveted to the screen. All that truly matters are the 17 musical numbers, all written by Irving Berlin (ten were standards, while seven were new to this film). Among the many highlights are Astaire's slow-motion version of "Steppin' Out," ...
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the Astaire/Garland duet "We're a Couple of Swells," the opening rendition of "Happy Easter," and the closing performance of the title number. So successful was Easter Parade that plans were immediately drawn to reteam Fred Astaire and Judy Garland in The Barkeleys of Broadway; this time, however, it was Garland who withdrew, to be replaced by Astaire's most famous vis-à-vis, Ginger Rogers.
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Easter Parade News Articles
Watching the best of the studio's output – Singin' in the Rain , Meet Me in St Louis – is to indulge in pure joyous artifice Fred Astaire strolls into a toyshop with a walking stick and spats, whistling. He snatches an oversized Easter bunny from a small boy and proceeds to do a tap dance using a series of conveniently positioned props that happen to be lying around on the shop floor. "I'm plumb crazy for drums," he sings, for no obvious reason. Then he takes his bunny – without paying – and nonchalantly strolls out again.This – a scene from Easter Parade (1948) – is the sort of thing that could only happen in the fantastical Technicolor world of the MGM musical. Such trifles as logical plot development and plausible human motivation have no place here. What matters is getting as quickly as possible to the next song and the next dance and letting the stars do their thing.
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