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Aka: Perfect Gem & Valuable
After leaving the prison, the dwarf criminal Calvin Sims joins to his moron brother Percy to steal an expensive huge diamond in a jewelry for the mobster Walken. They are chased by the police, and Calvin hides the stone in the purse of the executive Vanessa Edwards, whose husband Darryl Edwards wants to have a baby. Percy convinces Calvin to dress like a baby and be left in front of the Edwards's house to get inside the house and retrieve the diamond. Darryl and Vanessa keep Calvin for the weekend and decide to adopt him, while Walken threatens Darryl to get the stone back.
Despite small budgets and a lack of bona fide star power, the Wayans Brothers have proven to be one of the most commercially successful comedy teams in the Hollywood of the early 2000s. The brothers rose to fame in the 1990s via the IN LIVING COLOR sketch television show and later the gross-out satire-lite of the SCARY MOVIE series. Similar to their 2004 movie WHITE CHICKS--about two undercover black police officers posing as rich white girls--2006's LITTLE MAN is a raunchy crime caper that likewise uses a grotesque fish-out-of-water scenario as its comedic focal point. Marlon Wayans plays the diminutive and unqu...
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estionably weird-looking jewel thief who poses as a toddler in order to retrieve a diamond he hid with the childless-but-trying couple Daryl and Vanessa (played by Shawn Wayans and Kerry Washington). Hilarity ensues as the movie runs wild with a slew of breastfeeding jokes, crotch shots, and scatological humor that recognizes no boundaries. When Calvin's boss, Walken (Chazz Palminteri), tracks down the little man and his new family to snatch the diamond that is rightfully his, the movie turns into a familiar riff on HOME ALONE: when a criminal is after you, hit him in the crotch. Calvin and Daryl join together to defeat the evil Walken and his henchmen, and in the process learn a little something about what it means to love and be loved.
To discuss matters of taste in the context of LITTLE MAN defeats the purpose of its mere existence--this movie revels in its own base-level humor. However, even the Wayans brothers themselves acknowledge that they are making silly movies for as broad an audience as possible. While some of the sex jokes are perhaps a little too raunchy for children, the movie is packed with sub-Looney Tunes tomfoolery, not to mention a Looney Tunes plot (remember when Bugs Bunny took in Baby-Face Finster? The Wayans brothers certainly do), making this perfect fodder for kids--or adults with a juvenile sense of humor.
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Fate brings a childless couple a bundle of joy -- who happens to have a criminal record -- in this comedy directed by Keenen Ivory Wayans. Calvin Simms (Marlon Wayans) is a master criminal who with the help of his friend and sidekick, Percy (Tracy Morgan), plans a daring robbery of a museum where one of the world's largest diamonds is on display. One of reasons Calvin is able to get inside secure areas is his size -- Calvin is dwarf who stands less than two feet tall, and can slip in unnoticed where more conventionally sized people would not. While Calvin is able to get the diamond, he's nearly caught by the poli...
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ce while making his getaway, and stashes the jewel in a bag carried by a passerby. Eager to recover the diamond from the unwitting accomplice, Calvin and Percy figure out a way to get into his house -- they dress Calvin up as a baby, and leave him on the doorstep of the passerby's home. As it happens, the couple who live there (Shawn Wayans and Kerry Washington) have been wanting to have a baby, and they eagerly take the new arrival under their wing, embracing the joys of parenthood while ignoring some of the toddler's unusual behavior.
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Lilliputter Calvin Sims is een crimineel, die op een dag een kostbare diamant weet te stelen. Om het te verbergen, stopt hij het in de handtas van een voorbijgaande vrouw. Als Calvin de diamant dan terug wil hebben, besluit hij zich als een baby voor te doen. Als hij dan vervolgens door de vrouw en haar man in huis wordt genomen, gaat hij op zoek naar de diamant ...
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The documentary Shut Up, Little Man tells the story of when two friends tape-recorded the fights of their violently noisy and belligerent neighbors and accidentally created one of the world’s first viral pop-culture sensations. In 1987, Eddie and Mitchell moved to San Francisco, next door to Peter Haskett, a flamboyant gay man, and Raymond Huffman, a raging homophobe. Fearing for their lives, they began to tape record the alcohol-fueled rants through the paper thin walls of their apartment, never knowing what to expect next. Passing copies along to their friends, the tapes went on to inspire a cult following, spawning sell-out CDs, comic artwork by Dan Clowes ( Ghost World ), stage plays, music from Devo, and interest from Hollywood. Now, this life-changing experience is chronicled in a darkly hilarious story that is totally unbelievable and yet entirely true. During this exclusive phone interview with Collider, Eddie Lee Sausage (born Edward Guerriero
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