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At a Los Angeles hospital in the 1920s, Alexandria is a child recovering from a broken arm. She befriends Roy Walker, a movie stunt man with legs paralyzed after a fall. At her request, Roy tells her an elaborate story about six men of widely varied backgrounds who are on a quest to kill a corrupt provincial governor. Between chapters of the story, Roy inveigles Alexandria to scout the hospital's pharmacy for morphine. As Roy's fantastic tale nears its end, Death seems close at hand.
After creating the visually impressive film THE CELL in 2000, director Tarsem Singh dropped his last name to become simply Tarsem. His follow up, THE FALL, is just as beautiful as his previous work and features a stamp of approval from David Fincher and Spike Jonze. Like those celebrated directors, Tarsem got his start in the highly visual medium of music videos, and THE FALL is appropriately one of the most striking films to hit the screen in recent memory. Set in Los Angeles in 1915, the story revolves around a five-year-old girl (Catinca Untaru) named Alexandria, who wanders around a hospital after breaking he...
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r arm. There she meets bedridden Roy (Lee Pace of PUSHING DAISIES), a Hollywood stuntman who is paralyzed after an ill-fated attempt to impress a woman. Roy beguiles Alexandria with a tale that mirrors his own failed romance but his imagination takes it to new levels. People in the hospital appear in the story àla THE WIZARD OF OZ, but it's a surreal, fantastic epic that enchants Alexandria and convinces her to bring morphine pills to Roy so he can commit suicide.
Based on the Bulgarian film YO HO HO, THE FALL is an excellent example of a triumph of style over substance. The plot is interesting and the acting is solid--particularly the work from first-time Romanian actress Untaru--but it's hard to pay attention to any of that when Colin Watkinson's cinematography and Ged Clarke's production design are so stunning. Though Tarsem is working in a vein similar to Guillermo del Toro and Terry Gilliam, THE FALL is a uniquely gorgeous work that will impress anyone who values beauty in film.
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Visually minded filmmaker Tarsem Singh returns to the director's chair for the first time since The Cell (2000) with this psychologically complex tale of a hospitalized paraplegic with a curious knack for storytelling. Unable to free himself from his sterile confines, the immobile patient's deepest fears form the basis of a dark story that he shares with his young companion -- a little girl who visits his room as she recovers from a nasty fall. As the eerie tale unfolds, reality and fantasy gradually merge to form a strange world in which anything is possible.
In het ziekenhuis ontmoet een klein meisje met een gebroken sleutelbeen een bedlegerige man die haar een verhaal begint te vertellen. Naarmate het verhaal vordert komen werkelijkheid en fantasie samen.
The Fall News Articles
While I can't say that the first trailer for Mirror, Mirror made me want to run out an see it immediately, a huge factor that's preventing me from writing it off completely is director Tarsem Singh . While his movies don't always end up being amazing, there's no denying that he has an incredible and unique visual style. It will be interesting to see how he works with the Snow White film simply because it's so different tonally than his previous work ( The Cell , The Fall , Immortals ), but while that won't be revealed until the film is released in two months, THR has posted a full gallery of behind the scenes photos from the production of the film. Check out some of the images below and head over to the trade for the rest (there are 23 in total). Due out on March 16, Mirror Mirror is a new take on the classic
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