Grindhouse (2007)

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A double-bill of thrillers that recall both filmmakers' favorite exploitation films. "Grindhouse" (a downtown movie theater in disrepair since its glory days as a movie palace known for "grinding out" non-stop double-bill programs of B-movies) is presented as one full-length feature comprised of two individual films helmed separately by each director. "Death Proof," is a rip-roaring slasher flick where the killer pursues his victims with a car rather than a knife, while "Planet Terror" shows us a view of the world in the midst of a zombie outbreak. The films are joined together by clever faux trailers that recall...
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the '50s exploitation drive-in classics.
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GRINDHOUSE is the cinematic equivalent of Bach and Beethoven adding their touch to a boy-band song. Master directors Quentin Tarantino (PULP FICTION) and Robert Rodriguez (SIN CITY) indulge their inner fanboys and team up for this homage to their favorite B-movies. Rodriguez's film, PLANET TERROR, is an old-fashioned zombie film that's infused with enough gore and giggles to please even Peter Jackson (BAD TASTE). Rose McGowan (CHARMED) plays Cherry, a go-go dancer whose night is interrupted by a vicious zombie attack that leaves her missing a leg. Her ex-boyfriend, Wray (Freddy Rodriguez, SIX FEET UNDER), takes c...
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harge, fashioning her a new leg from a machine gun and killing zombies along the way. In Tarantino's DEATH PROOF, Stuntman Mike (Kurt Russell) stalks beautiful women with his deadly vintage car. When he picks a trio of tough girls (Rosario Dawson, Tracie Thoms, and Zoe Bell), he learns they aren't such easy prey.

This double feature plays as a three-hour ode to the horror and exploitation films that once played in grimy grindhouses across the country. As with any Tarantino film, there are plenty of nods to pop culture, and this is no exception. Fellow horror directors Rob Zombie, Eli Roth, and Edgar Wright contribute fake trailers that are squeezed in between the two features. Genre fans will love seeing familiar faces such as Tom Savini, Danny Trejo, and Bill Moseley. Clearly Tarantino and Rodriguez were film lovers before they were filmmakers, and their passion for the medium is infectious. Those who can stomach GRINDHOUSE's high level of guns, guts, and gore are in for a treat. The hyper-violent films aren't for everyone, but three hours of film has rarely been this much fun.
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De film bestaat uit twee delen. De eerste film, Planet Terror, is een horrorfilm van Robert Rodriguez. Dit gaat over Cherry (Rose McGowan) die de wereld van de zombies probeert te verlossen samen met de martialarts-specialist Wray (Freddy Rodríguez). Samen vermoorden ze elke zombie die hun pad kruist. De tweede film, Death Proof, is een thriller van Quentin Tarantino. Een moordende auto die bestuurd wordt door een geschifte psychopathische stuntman (Kurt Russell). Tussen de twee films in worden neptrailers gedraaid.

Kill Bill director Quentin Tarantino and Sin City director Robert Rodriguez join forces to offer a cinematic tribute to the blood-soaked exploitation epics of yesteryear with this hyper-violent coupling of two full-length features punctuated by a collection of outrageous trailers. The first segment, directed by Rodriguez and entitled Planet Terror, details the violent struggle between a ravenous army of zombie-like humanoids who have taken control of the planet and the remaining survivors who refuse to go down without a fight. Freddy Rodriguez, Naveen Andrews, and Rose McGowan headline a cast that also includes M...
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arley Shelton, Michael Biehn, Josh Brolin, Bruce Willis, and Tom Savini. In Death Proof -- director Tarantino's take on such peddle-to-the-metal shockers as White Line Fever -- Kurt Russell stars as an engine-revving psychopath who prefers to take out his beautiful victims at 200 mph. With a list of potential roadkill candidates that includes Rose McGowan, Jordan Ladd, Rosario Dawson, and Vanessa Ferlito, Death Proof takes viewers on an adrenaline-infused drive that's as sexy as it is shocking. Its tantalizing title borrowed from the term frequently used to describe the seedy, 1970s-era inner-city movie theaters that screened excessive, low-budget independent films containing copious amounts of violence and nudity as a means of offering counter-programming to the decidedly more restrained big-budget studio films, Grindhouse takes its love for these unabashedly sleazy efforts one step further by offering a jaw-dropping collection of fake exploitation trailers from such directors as Rob Zombie, Eli Roth, and Edgar Wright.
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Grindhouse News Articles

The Artist and the rise of retrovision

Suddenly, brand-new vintage pictures are everywhere. But is cinema's great leap backwards more suited to cult concerns such as Grindhouse and Darkplace ?Future historians sifting through the cinematic detritus of the last 100 years might find themselves wondering whether some dozy assistant had mislabelled the reels for the early 21st century. After an orderly progression from silent cinema, through the talkies, Technicolor, right up to the digital era, it suddenly starts to get messy. What's this 1950s melodrama doing in the 2002 pile? Why were a bunch of 1970s horror movies apparently made in the noughties? And which idiot thought that this silent movie belonged to 2011?Movies set in the past are nothing new, but in recent years we've seen a boom in films made in the style of their particular era. It's a new level of vintage: not just getting the period details right onscreen, but getting the whole mode of presentation correct,
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