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Aka: Undercover
Brooklyn, 1988. Crime is rife, especially drugs and drug violence. A Russian thug is building his heroin trade, while everyone laughs at the cops. Brothers have chosen different paths: Joe has followed his father Bert into New York's Finest; he's a rising star. Bobby, who uses his mother's maiden name, manages a club. Bobby too is on the rise: he has a new girlfriend and a green-light to develop a Manhattan club. Joe and Bert ask him to help with intelligence gathering; he declines. Then, Joe raids Bobby's club to arrest the Russian. From there, things spiral out of control: the Russian puts out a hit on Joe, per...
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sonal losses mount, and Bobby's loyalties face the test.
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Director James Gray (THE YARDS) posits two distinctly different brothers--Joseph (Mark Wahlberg) and Bobby Grusinsky (Joaquin Phoenix)--as the central characters in this crime-infested thriller. Joseph and Bobby inhabit two conflicting worlds in late 1980s New York, the former becoming a cop and the latter running a nightclub. Bobby spends his evenings in a den of iniquity, indulging in drugs, alcohol, and gambling, and his model-like girlfriend Amada (Eva Mendes) is never far from his arm. Their two worlds meet when the father of the two men, Burt (Robert Duvall), who is also a cop, gets together with Joseph to ...
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ask Bobby for information about a patron of the club named Vadim (Alex Veadov). Vadim is the nephew of the club's owner, and also a dangerous member of the Russian criminal underworld. Bobby sides with Vadim, and the tension in Gray's brother-versus-brother potboiler reaches melting point as Joseph goes after both his sibling and his Russian foe.
Wahlberg, Phoenix, and Duvall all deliver high-caliber performances throughout, and Gray suffuses the plot with enough twists and turns to provide a few surprises. New York City is perfectly utilized as a backdrop to the action, and cinematographer Joaquin Baca-Asay manages to get the balance between moody, atmospheric shots and explosive action sequences just right. WE OWN THE NIGHT ultimately resembles an old-fashioned cop film with a little Scorsese-like drama thrown in for good measure, and is likely to gain a following among movie fans seeking retro crime thrills.
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Set against the backdrop of the bloody battle waged between New York City cops and the Russian mafia in the 1980s, director James Gray's period drama tells the tale of an emerging club manager whose family ties to law enforcement make him a target for the city's most dangerous criminals. Bobby Green (Joaquin Phoenix) manages one of Gotham's hottest clubs, but being in the club scene often means turning a blind eye to blatant criminal activities. Realizing that his career -- and perhaps his life -- could come to a sudden end if anyone discovers that his father, Bert (Robert Duvall), is the deputy chief of police a...
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nd his brother, Joseph (Mark Wahlberg), is a rising star on the force, Bobby struggles to keep that sensitive information from everyone except his devoted girlfriend, Amada (Eva Mendes). Russian kingpin Vadim (Alex Veadov) is a ruthless criminal who is willing to permanently silence anyone who dares cross him -- regardless of whether the person is a stranger on the street or a lifelong member of the family. When the Russian mafia declares all-out war against the NYPD, conflicted Bobby is forced to choose between his life of luxury and the family that he has worked so fervently to separate himself from.
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At the height of a bloody 1980s struggle between New York City police and a Russian mob that targeted law officers and their families, the NYPD hung "We Own the Night" banners in precinct houses and stepped up their efforts.
New York, 1988. De stad wordt opgeschrikt door een gewelddadige bendeoorlog, die aan veel mensen het leven kost, waaronder politie-agenten. Bobby Green is een man die tussen twee uitersten staat. Hij is de manager van een Russische nachtclub in Brooklyn waar de zware Russische gangsters kind aan huis zijn. Aan de andere kant is zijn broer Joseph een politie-luitenant, die hun legendarische vader Burt heeft opgevolgd. De spanningen komen tot een climax en Bobby zal hoe dan ook een kant moeten kiezen.
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Can Baran Bo Odar's moody and menacing debut breathe new life into the weary world of Hollywood cop films?Of all the genres Hollywood has visited and revisited over the years, perhaps it's the police drama that can boast the greatest heritage. For decades, the American film scene has consistently delivered classics – Touch of Evil , Serpico and The Untouchables – and characters with the magnetism of Harry Callahan, Jake Gittes and "Popeye" Doyle. In recent years, though, Hollywood has let us down with its cop films. The same system that not long ago gave us Heat and La Confidential has turned to wheeling out substandard fare such as Street Kings , Brooklyn's Finest and We Own the Night – films that have turned the police procedural into a drowsy rendition of worn conventions as opposed to the weighty, character-driven dramas that mark the genre's finest hours.Many of Hollywood's cops and criminals
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