Hell in the Pacific (1968)

Director John Boorman's typical bravado is somewhat muted in this WWII parable. Set in the Pacific in 1944, the film focuses on two combatants stranded on the same barren atoll: a Japanese naval officer (Toshirô Mifune) and a U.S. marine pilot (Lee Marvin). At first the two men warily stalk each other, both revealing something by refusing to kill the other when the opportunity arises. At length the Japanese officer captures and harnesses the American, who ultimately escapes, returns, and ties up his opponent. The American finally releases his prisoner as both men grasp the pointlessness of their behavior, and a ...
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tacit truce develops between them, since neither can understand the other's language. After some scenes of mutually incomprehensible yelling and a bit of water torture, the Japanese man begins building a raft. The American's initial derision is replaced by an awareness that his cooperation would likely speed their departure and increase their odds of survival. In what is virtually a silent film, Boorman invokes his recurring "man against nature" theme, here reconfigured as a plea for human solidarity. Marvin is excellent, while Mifune is a virtuoso of the kind of physical acting the film requires, and Conrad Hall's camerawork does justice to the spectacular beauty of the Micronesian islands.
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Een neergeschoten Amerikaanse piloot komt terecht op een onbewoond eiland. Maar al snel blijkt dat hij niet alleen is. Een Japanse officier is ook aanwezig op het eiland en om te overleven moeten ze zich over hun haat heenzetten.

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