Five Easy Pieces (1970)

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Robert Dupea has given up his promising career as a concert pianist and is now working in oil fields. He lives together with Rayette, who's a waitress in a diner. When Robert hears from his sister that his father isn't well, he drives up to Washington to see him, taking Rayette with him. There he gets confronted with his rich, cultured family that he had left behind.

Robert Dupea heeft zijn veelbelovende carrière als concertpianist opgegeven en werkt nu in de olievelden. Hij woont samen met serveerster Rayette die ervan droomt om countryzangeres te worden. Wanneer Robert van zijn zus het nieuws hoort dat zijn vader ernstig ziek is gaat hij samen met Rayette naar Washington om hem te zien. Daar wordt hij geconfronteerd met de superculturele familie die hij achtergelaten had.

A disaffected man seeks a sense of identity in one of the key films of Hollywood's 1970s New Wave. Once a promising pianist from a family of classical musicians, Bobby Eroica Dupea (Jack Nicholson, in his first major starring role) leads a blue-collar life as an oil rigger, living with needy waitress girlfriend Rayette (Karen Black) and bowling with their friends Elton (Billy "Green" Bush) and Stoney (Fannie Flagg). Feeling suffocated by responsibilities, Bobby seeks out his sister, Tita (Lois Smith), and, discovering that his father is gravely ill, he reluctantly heads back to the patrician family compound in Pu...
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get Sound with a pregnant Rayette in tow. After a road trip featuring a harangue from hitchhiker Palm (Helena Kallianiotes) about filth, and Bobby's ill-fated attempt to make a menu substitution in a diner, he tucks Rayette away in a motel before heading to the house. There Bobby seduces his uptight brother Carl's cultured fiancée, Catherine (Susan Anspach), but Rayette shows up unexpectedly. As Rayette's crassness collides with the snobbery of the Dupea circle, Bobby loses patience with both sides. After trying to reconcile with his mute father, Bobby departs, unwilling to give in to either destiny. Director Bob Rafelson and screenwriter Adrien Joyce (aka Carole Eastman) used the creative control afforded by the low budget to craft a European-influenced character study, catching a cultural mood of anomie and resentment as it was embodied in Bobby. Neither older generation nor hippie, Bobby fits in nowhere, and his desire for independence conflicts with his emotional emptiness. Nicholson's nuanced performance of simmering frustration resonated with 1970 audiences caught between Nixon's "silent majority" and the troubled counterculture; a substantial hit, Five Easy Pieces was nominated for several Oscars, including Best Picture and Best Actor, and established Nicholson as a star. Offering no "easy" answers to Bobby's existential crisis, Five Easy Pieces is one of the pre-eminent films in the early-'70s cycle of alienated American art movies, as even the fantasy of rebellion is reduced to merely running away.
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Five Easy Pieces News Articles

Bert Schneider

Producer of films that expressed the late 60s and early 70s zeitgeist, including Easy Rider , Five Easy Pieces and Hearts and Minds In the late 60s and early 70s, youth movies identified with the draft-dodging campus rebels disillusioned by their elders and the war in Vietnam. Among the leading lights that embodied the counterculture were the producer Bert Schneider, who has died aged 78, and the director Bob Rafelson . They came together to form Raybert Productions, and then Bbs Productions (with Steve Blauner), which produced several pictures that expressed the zeitgeist, such as Easy Rider (1969), Five Easy Pieces (1970), Drive, He Said (1971) and the Oscar-winning anti-Vietnam war documentary Hearts and Minds (1974). Schneider was no bandwagon jumper, but a committed leftist, who vigorously opposed the American presence in Vietnam. He was also close to the 1960s political activists Huey Newton, co-founder of the Black Panther party, the African-American radical organisation, and Abbie Hoffman
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