Pink Flamingos (1972)

Aka: John Waters' Pink Flamingos

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Sleaze queen Divine lives in a caravan with her mad hippie son Crackers and her 250-pound mother Mama Edie, trying to rest quietly on their laurels as 'the filthiest people alive'. But competition is brewing in the form of Connie and Raymond Marble, who sell heroin to schoolchildren and kidnap and impregnate female hitchhikers, selling the babies to lesbian couples. Finally, they challenge Divine directly, and battle commences...

Sleaze-koningin Divine leeft met haar zoon Crackers en haar 250 pond zware moeder Edie in een caravan, trots de titel 'most filthiest people alive' dragend. Maar competitie ligt op de loer middels het echtpaar Raymond en Conny, dat vrouwelijke lifters kidnapt om ze vervolgens door hun butler te laten bezwangeren, zodat ze de baby's kunnen verkopen aan lesbische koppels. Divine gaat de strijd genadeloos aan.

Baltimore director John Waters's outrageous 1971 debut PINK FLAMINGOS burst onto the filmmaking scene like the ample flesh of its drag-queen star through the seams of a lamé dress. Conceived as a way to garner attention for Waters's fledgling career, this paean to bad taste certainly did just that--so much so that decades later, the film still retains the power to shock with its gleeful demolition of every known human taboo.

Waters's attempt at making the most vile and offensive movie ever made is aptly mirrored in his characters' competition for the title of "Filthiest Person Alive." Overweight trans...
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vestite and Waters muse Divine (aka Glen Milstead) stars as the current record holder, Babs Johnson, who lives in a trailer park with her trashy friend Cotton (Mary Vivian Pearce), incestuous son Crackers (Danny Mills), and mentally-stunted mother Edie (Edith Massey), who spends her time in a playpen and is obsessed with eggs. Vying for Babs's filthy title is evil middle-class couple Raymond (David Lochary) and Connie Marble (Mink Stole), who fund porno shops, sell heroin to grade-schoolers, and run a white-slave trade that involves kidnapping young women, imprisoning them in their dungeon-like basement, raping and impregnating them, and selling their babies to lesbian couples. In between, there's sex with chickens, whistling rectums, actual fellatio, and canine excrement--ensuring not only gross-out comedy par excellence, but a total assault on bourgeois respectability that rivals the comparatively mild critique of UN CHIEN ANDALOU or L'AGE D'OR. Disgusting, hilarious, and utterly fabulous, PINK FLAMINGOS is guerrilla filmmaking at its finest.
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Renegade filmmaker and noted aficionado of expressive bad taste John Waters exploded into international infamy with this darkly comic, no-budget parade of the perverse (his third feature film, and first in color), in which plus-size cross-dresser Divine stars as Babs Johnson, a flashy criminal on the lam from the FBI who is hiding out in a trailer outside of Baltimore, MD. Accompanying Babs are her mother (Edith Massey), an obese and dim-witted woman who is malignly obsessed with eggs; her degenerate son, Crackers (Danny Mills); and Cotton (Mary Vivian Pierce), Babs' duplicitous "traveling companion" and Crackers...
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' co-conspirator in unwholesome erotic play. While Babs would prefer to be left in peace, she takes great pride in her status as "the Filthiest Person Alive" (an honor confirmed by one of America's sleazier tabloid newspapers), and when Connie and Raymond Marble (Mink Stole and David Lochary) announce their plans to take the title away from her, Babs is not about to stand idly by. The Marbles are a hateful couple who kidnap women, force their homosexual manservant, Channing (Channing Wilroy), to impregnate them, and sell the babies to lesbian couples found unfit for legal adoption; the Marbles then turn the profits back into pornography and narcotics trafficking. Impressive stuff, to be sure, but Babs is not about to take a back seat to anyone in a battle of filth, and when the Marbles throw down the gauntlet, Babs and her family retaliate in a no-holds-barred battle to determine who truly are "the Filthiest People Alive." Featuring murder, bestiality, rape, dismemberment, coprophagia, a dizzying variety of sexual perversions, and a performance of "Papa Oom Mow Mow" you will not soon forget, Pink Flamingos is nonetheless a comedy, and a surprisingly successful one; shot on a budget of only 12,000 dollars, the film has grossed close to ten million dollars around the world, and its success launched John Waters into a career as America's leading authority on poor taste.
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Pink Flamingos News Articles

John Waters : 'the key to happiness is a pair of underpants in each of your homes'

The cult film director talks therapy and some surprising rules of gift-giving etiquetteHow perplexing it must have been for passengers arriving at Baltimore's train station to see film-maker John Waters – ordained the "Pope of Trash" by William Burroughs – standing there, instantly recognisable with his pencil-thin moustache and pencil-thin frame wearing sunglasses and a sand-coloured silk suit darkened with splashes of rain, as though he had just been caught in a downpour.Waters is synonymous with Baltimore; his hometown is where all of his films (including cult classic Pink Flamingos and mainstream hit Hairspray ) have been shot. And it is a cloudless autumn morning. Having met before, he offered to pick me up at the station and drive to lunch. Upon closer inspection, it's clear the illusion of rain splattered on the cuffs of the trousers and the shoulders of the blazer are part of the design. As with most things with John Waters ,
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