American Graffiti (1973)

Set in 1962; Produced and released in 1973.

AMERICAN GRAFFITI presents a powerful collage of youth on the brink of maturity just before the assassination of J.F.K.. Based on George Lucas's own teenage hot-rodding days in Modesto, California, this brilliant, bittersweet comedy inspired numerous other productions, including the long-running TV series HAPPY DAYS. Lucas's second feature film (following THX 1138), AMERICAN GRAFFITI contains an early screen appearance by Harrison Ford, who would figure heavily in the director's next movie, the sci-fi epic STAR WARS. The film follows one night in the lives o...
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f several recently graduated high school students. The genial Steve (Ron Howard) prepares to leave for college the next day, and Laurie (Cindy Williams), his girlfriend, is upset by his impending departure. Laurie's brother, Curt (Richard Dreyfuss), the class intellectual, is also slated for college, but he has serious doubts about his future. Also included here are the hopeless nerd (Charles Martin Smith) and the eternally cool drag racer, John (Paul LeMat), who feels pressure to live up to his reputation. A nostalgic feeling is evoked in seeing the teenagers cruising in their hot rods, eating at Mel's Diner, and listening to Wolfman Jack spin the latest hits, with the camera jumping from character to character as they each enjoy--or fret over--their last moments of summer freedom.
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It's the last night of summer 1962, and the teenagers of Modesto, California, want to have some fun before adult responsibilities close in. Among them are Steve (Ron Howard) and Curt (Richard Dreyfuss), college-bound with mixed feelings about leaving home; nerdy Terry "The Toad" (Charles Martin Smith), who scores a dream date with blonde Debbie (Candy Clark); and John (Paul Le Mat ), a 22-year-old drag racer who wonders how much longer he can stay champion and how he got stuck with 13-year-old Carol (Mackenzie Phillips) in his deuce coupe. As D. J. Wolfman Jack spins 41 vintage tunes on the radio throughout the ...
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night, Steve ponders a future with girlfriend Laurie (Cindy Williams), Curt chases a mystery blonde, Terry tries to act cool, and Paul prepares for a race against Bob Falfa (Harrison Ford), but nothing can stop the next day from coming, and with it the vastly different future ushered in by the 1960s. Fresh off The Godfather (1972), producer Francis Ford Coppola had the clout to get his friend George Lucas's project made, but only for $750,000 on a 28-day shooting schedule. Despite technical obstacles, and having to shoot at night, cinematographer Haskell Wexler gave the film the neon-lit aura that Lucas wanted, evoking the authentic look of a suburban strip to go with the authentic sound of rock-n-roll. Universal, which wanted to call the film Another Slow Night in Modesto, thought it was unreleasable. But Lucas' period detail, co-writers Willard Huyck's and Gloria Katz's realistic dialogue, and the film's nostalgia for the pre-Vietnam years apparently appealed to a 1973 audience embroiled in cultural chaos: American Graffiti became the third most popular movie of 1973 (after The Exorcist and The Sting), establishing the reputations of Lucas (whose next film would be Star Wars) and his young cast, and furthering the onset of soundtrack-driven, youth-oriented movies. Although the film helped spark 1970s nostalgia for the 1950s, nothing else would capture the flavor of the era with the same humorous candor and latent sense of foreboding.
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Twee jongens staan op het punt om te gaan studeren. Beiden hebben ze twijfels. Ze brengen een laatste avond door waarin ze elk avontuur mogelijk proberen te hebben voor het ochtend is, en ze moeten beslissen over de rest van hun leven.

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