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A clarinet player who also runs a health food store is frozen and brought back in the future by anti-government radicals in order to assist them in their attempts to overthrow an oppressive government. When he goes off on his own, he begins to explore this brave new world that has Orgasmatron booths to replace sex and confessional robots.
The sci-fi satire SLEEPER is often hailed as the best of Woody Allen's early comedies, which relied mostly on slapstick and quick verbal asides, but still had more than their share of comic intelligence. SLEEPER tells the tale of Miles Monroe (Allen), who is accidentally cryogenically frozen following a minor operation. Released 200 years later, in 2173, Miles blunders his way through a bizarre future, featuring plenty of props and situations for Allen to mine for laughs. Eventually he meets vapid, hedonistic "poet" Luna Schlosser (Diane Keaton), with whom he eventually joins a rebel group opposed to the oppressi...
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ve government. As in his earlier BANANAS and LOVE AND DEATH, Allen's character stumbles into a revolutionary plot, revealing the anti-authoritarianism that will appear again and again in his films.
Loosely based on H.G. Wells' novel WHEN THE SLEEPER WAKES, the film features a strong parodic bent, particularly of the type of science fiction that was being written and filmed when it was made in 1973. Oppressive, faceless governments and the technological dominance over human life (altering even the most fundamental natural actions, such as sex) are the main tropes Allen skewers, as well as playing off the futuristic production design of films like A CLOCKWORK ORANGE and THX-1138. However, SLEEPER was still considered a strong work of science fiction, winning both the prestigious Hugo and Nebula Awards, which are given to the finest works in the genre.
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In 1973, health-food store owner Miles Monroe (Woody Allen) enters the hospital for a routine gall bladder operation. When he expires on the operating table, Miles' sister requests permission to cryogenically freeze her brother's body. After 200 years, Miles is unwrapped by a group of scientists and awakens to a "brave new world" of deadening conformity, ruled with an iron fist by a never-seen leader. Miles is forced to flee for his life when the scientists -- actually a group of revolutionary activists -- are overpowered by the leader's police. He eludes the cops by pretending to be an android, and in this guise...
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is sent to work at the home of Luna (Diane Keaton), a composer of greeting cards who thinks that the world of the future is perfect as it stands. There's more, but why spoil your fun? Sleeper is the most visual of Woody Allen's earlier films, and demonstrated a more pronounced rapport between Allen and his off- and onscreen leading lady Diane Keaton than had previously existed. The Dixieland score is performed by the Preservation Hall Jazz Band.
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Een klarinetspeler, die om rond te komen ook nog een reformwinkel heeft, wordt ingevroren. In de toekomst wordt hij door rebellen ontdooid om hen te helpen bij de revolutie.
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Since the 'early, funny' films, Allen's subject-matter has matured, but there's a line of comic genius that runs from Sleeper through to Midnight in Paris Thomas Hobbes declared that all laughter depends on sudden contempt, that flash of superiority when the other chap slips on the banana skin and we don't. When we smile, we show our teeth. For this reason he warned against the self-deprecatory gag, for after all who wishes to pull down contempt on himself? No one seems to have told Woody Allen .Along with Alfred Hitchcock , Allen must be the most recognisable director in the history of cinema. In 1984 an anthology was published devoted to people's dreams about him. To like his early films is to like him; perhaps the peculiar intimacy of his relationship with the audience stemmed from the fact that he had been a stand-up comedian. These films maintained that sense of performing
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