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JJ 'Jake' Gittes is a private detective who seems to specialize in matrimonial cases. He is hired by Evelyn Mulwray when she suspects her husband Hollis, builder of the city's water supply system, of having an affair. Gittes does what he does best and photographs him with a young girl but in the ensuing scandal, it seems he was hired by an impersonator and not the real Mrs. Mulwray. When Mr. Mulwray is found dead, Jake is plunged into a complex web of deceit involving murder, incest and municipal corruption all related to the city's water supply.
Many films from the 1970s allow even the most gripping narratives to flow with the consequences of real life. CHINATOWN is a classic film whose intrigues and adventures culminate in life-changing moments for its protagonist, Jake Gittes (Jack Nicholson).
Director Roman Polanski's classic neo-noir detective story is set during a heat wave in 1930s Los Angeles, where residents suffer from a water shortage due to an ongoing drought. With stellar contributions from composer Jerry Goldsmith and screenwriter Robert Towne, whose script recalls the hard-boiled cynicism of Raymond Chandler and Dashiell Hammett,...
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CHINATOWN is a complex and superbly crafted period drama that has become Polanski's most critically acclaimed film. Private investigator Gittes runs a sleazy detective agency. When a client (Diane Ladd) hires him to spy on her "husband," who is rumored to be having an affair with a younger woman, Jake uncovers a plot against the man--but this is only the tip of the iceberg. Still to emerge are a sex scandal implicating the real wife (Faye Dunaway), with whom Jake is destined to become more closely acquainted, and a real estate swindle of tremendous proportions devised by her tycoon father (John Huston), backed up by a vast network of corrupt city officials and landowners who make life hell for the private eye.
This story crystallizes the impact of a chance meeting with the romantic ideals of the early 1970s, when the American urban landscape and economic power structures were in flux.
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"You may think you know what you're dealing with, but believe me, you don't," warns water baron Noah Cross (John Huston), when smooth cop-turned-private eye J.J. "Jake" Gittes (Jack Nicholson) starts nosing around Cross's water diversion scheme. That proves to be the ominous lesson of Chinatown, Roman Polanski's critically lauded 1974 revision of 1940s film noir detective movies. In 1930s Los Angeles, "matrimonial work" specialist Gittes is hired by Evelyn Mulwray (Faye Dunaway) to tail her husband, Water Department engineer Hollis Mulwray (Darrell Zwerling). Gittes photographs him in the company of a young blond...
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e and figures the case is closed, only to discover that the real Mrs. Mulwray had nothing to do with hiring Gittes in the first place. When Hollis turns up dead, Gittes decides to investigate further, encountering a shady old-age home, corrupt bureaucrats, angry orange farmers, and a nostril-slicing thug (Polanski) along the way. By the time he confronts Cross, Evelyn's father and Mulwray's former business partner, Jake thinks he knows everything, but an even more sordid truth awaits him. When circumstances force Jake to return to his old beat in Chinatown, he realizes just how impotent he is against the wealthy, depraved Cross. "Forget it, Jake," his old partner tells him. "It's Chinatown." Reworking the somber underpinnings of detective noir along more pessimistic lines, Polanski and screenwriter Robert Towne convey a '70s-inflected critique of capitalist and bureaucratic malevolence in a carefully detailed period piece harkening back to the genre's roots in the 1930s and '40s. Gittes always has a smart comeback like Humphrey Bogart's Sam Spade and Philip Marlowe, but the corruption Gittes finds is too deep for one man to stop. Other noir revisions, such as Robert Altman's The Long Goodbye (1973) and Arthur Penn's Night Moves (1975), also centered on the detective's inefficacy in an uncertain '70s world, but Chinatown's period sheen renders this dilemma at once contemporary and timeless, pointing to larger implications about the effects of corporate rapaciousness on individuals. Polanski and Towne clashed over Chinatown's ending; Polanski won the fight, but Towne won the Oscar for Best Screenplay. Chinatown was nominated for ten other Oscars, including Picture, Director, Actor, Actress, Cinematography, Art Direction, Costumes, and Score.
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Hollis Mulwray is een rijke landeigenaar. Ida Sessions, die doet alsof ze zijn vrouw Evelyn is, vraagt privé-detective Jake Gittes om zijn overspel te onderzoeken. Jake neemt foto's van Hollis met een jonge vrouw. Wanneer Hollis wordt vermoord, besluit Jake de moord te gaan onderzoeken. Hij vindt meer dan waar hij naar op zoek was...
Chinatown News Articles
Paul Macinnes continues our writer's favourite film series with the movie that left him chilled and overwhelmed – Roman Polanski 's detective tale that exploded the genre conventionsDoes this review do the film justice, or is it case dismissed? File your own report here or join in the comments section below Chinatown is a detective story. It's set in Los Angeles, like many of the best are, and at first glance you could even mistake it for a tribute to the city. Roman Polanski 's film escorts you around it, encourages you to bathe in the rich Californian light and take in the lush vistas. It's only at the end you realise the tour has been slowly, almost casually, ushering you into a room containing the most depraved human wickedness imaginable. Chinatown is definitely my favourite film.Growing up, I spent a lot of time with private detectives. After teething on the Hardy Boys,
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