The Conversation (1974)

Harry Caul is een afluisterexpert, die zijn geld verdient met het afluisteren van andere mensen. Wanneer hij een flard van een gesprek opvangt, meent hij iets op het spoor te zijn. Hoe meer stukjes hij bij elkaar sprokkelt en hoe vaker hij zijn tapes beluistert, des te meer hij ervan overtuigd raakt dat er zich spoedig een drama zal afspelen. Of is het slechts zijn fantasie die op hol slaat?

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Made between The Godfather (1972) and The Godfather Part II (1974), and in part an homage to Michelangelo Antonioni's art-movie classic Blow-Up (1966), The Conversation was a return to small-scale art films for Francis Ford Coppola. Sound surveillance expert Harry Caul (Gene Hackman) is hired to track a young couple (Cindy Williams and Frederic Forrest), taping their conversation as they walk through San Francisco's crowded Union Square. Knowing full well how technology can invade privacy, Harry obsessively keeps to himself, separating business from his personal life, even refusing to discuss what he does or wher...
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e he lives with his girlfriend, Amy (Teri Garr). Harry's work starts to trouble him, however, as he comes to believe that the conversation he pieced together reveals a plot by the mysterious corporate "Director" who hired him to murder the couple. After he allows himself to be seduced by a call girl, who then steals the tapes, Harry is all the more convinced that a killing will occur, and he can no longer separate his job from his conscience. Coppola, cinematographer Bill Butler, and Oscar-nominated sound editor Walter Murch convey the narrative through Harry's aural and visual experience, beginning with the slow opening zoom of Union Square accompanied by the alternately muddled and clear sound of the couple's conversation caught by Harry's microphones. The Godfather Part II and The Conversation earned Coppola a rare pair of Oscar nominations for Best Picture, as well as two nominations for Best Screenplay (The Godfather Part II won both). Praised by critics, The Conversation was not a popular hit, but it has since come to be seen as one of the artistic high points of the decade, as well as of Coppola's career. Its atmosphere of paranoia and suspicion, combined with its obsessive loner antihero, made it prototypical of the darker "American art movies" of the early '70s, as its audiotape storyline also made it seem eerily appropriate for the era of the Watergate scandal.
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Francis Ford Coppola's THE CONVERSATION is a towering achievement, a masterfully constructed portrait of one man's descent into madness. Gene Hackman delivers a devastating performance as Harry Caul, a surveillance expert who gets paid to invade the privacy of strangers. The film's classic opening shot is a long, slow zoom into Union Square in San Francisco, as a young couple, Mark (Frederic Forrest) and Ann (Cindy Williams), are having what seems like an otherwise mundane conversation. However, when it is revealed that Harry and his assistant Stanley (John Cazale) are eavesdropping from a nearby van, it becomes ...
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clear that something more serious is happening. Later, after Harry painstakingly reconstructs the conversation from several different audio sources, he uncovers a snippet of dialogue that unsettles him. Suspicious of his client's motives for wanting the tape, Harry becomes uncharacteristically worried about the people he may have endangered, sending him into a dangerous mental tailspin.

With Harry Caul, Coppola and Hackman have managed to create one of cinema's most unforgettable characters, a man who appears to be in control on the outside but who is, in fact, crumbling on the inside. Though Teri Garr, Harrison Ford, and Allen Garfield deliver standout supporting turns, THE CONVERSATION is Hackman's show. Inspired by Michelangelo Antonioni's BLOW UP (1966), THE CONVERSATION in turn went on to influence Brian De Palma's own surveillance thriller, BLOW OUT (1981).
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