Il fiore delle mille e una notte (1974)

Exotic spectacle and unbridled sensuality collide in Pier Paolo Pasolini's dreamlike retelling of the Arabian fable. In this lush adaptation, a prince goes abroad in search of his beloved slave, whom someone has kidnapped. As he travels from land to land, he listens to erotic tales told by the people he meets--and though the stories entice him, he never can forget the lover he hopes to find again. The film--shot on location in Yemen, Ethiopia, Iran, and Nepal--is the final chapter in Pasolini's "Trilogy of Life" series that includes THE DECAMERON and THE CANTERBURY TALES.

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Aziz is een prins en hij is op zoek naar zijn slavin die ontvoerd is. Zijn reis leidt hem naar het einde van de wereld zoals die hem bekend is en hij luistert er naar verscheidene verhalen over lust en verraad.

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This lush anthology of erotic tales was filmed in four countries (Iran, Nepal, Yemen, and Eritrea) over a period of more than two years. Completing the literary cycle begun by Pier Pasolini in Il Decamerone and I Racconti di Canterbury, this one is perhaps the most controversial of the lot, engendering reactions from admiration to dismissal. The connecting story deals with Mur el-Din (Franco Merli), a prince searching for his slave girl lover, Zumurrud (Ines Pellegrini), who has been kidnapped, only to disguise herself as a man, take a wife, and become ruler of a great city. Mur el-Din's quest carries him to the ...
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ends of his known world, where he listens to several stories of carnality and betrayal. The continuity and fluidity of the film depend entirely on the version screened, because several different cuts exist; producer Alberto Grimaldi insisted on a 130-minute release, whereas Pasolini and United Artists preferred the unexpurgated 155-minute version with its ten stories all intact.
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