Young Frankenstein (1974)

An affectionate parody that pays homage to the FRANKENSTEIN films (from the novel FRANKENSTEIN by Mary Shelley) directed by James Whale in the 1930s, YOUNG FRANKENSTEIN is both a zany comedy and a cinematic tour de force. Written by director Mel Brooks and the film's star, Gene Wilder, YOUNG FRANKENSTEIN has all the usual--and in this case slightly unusual--suspects: the reluctant scientist Frederick Frankenstein, who is actually the grandson of the infamous creature-creator (pronounced "Fronken-steen" and played by Wilder), his spoiled fiancée (Madeline Kahn), Igor the pop-eyed hunchback (Marty Feldman), his di...
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zzy assistant (Teri Garr), the castle's hideous head housekeeper (Cloris Leachman), and, of course, the Monster (Peter Boyle). Highlights include the sets, which are the original ones used in the Whale films; the beautiful black-and-white cinematography; and the fine screenplay. Combining noirish elegance with uproarious sight gags and double entendres is a feat Brooks pulls off fabulously, directing the wonderful ensemble to act with sensitivity and humanistic feelings as well as with lunatic abandon. YOUNG FRANKENSTEIN is a treat from beginning to end.
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Lending his burlesque touch to 1970s genre revision, Mel Brooks followed his hit "western" Blazing Saddles with this parody of 1930s Universal horror movies. Determined to live down his family's reputation, Dr. Frederick Frankenstein (co-screenwriter Gene Wilder) insists on pronouncing his name "Fronckensteen" and denies interest in replicating his grandfather's experiments. But when he is lured by Frau Blucher (Cloris Leachman) to discover the tantalizingly titled journal "How I Did It" in his grandfather's castle, he cannot resist. With the help of voluptuous Inga (Teri Garr), wall-eyed assistant Igor (Marty Fe...
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ldman), and a purloined brain, Frankenstein creates his monster (Peter Boyle). Igor, however, stole the wrong brain, and the monster tears off into the countryside, encountering a little girl and a blind hermit (Gene Hackman). Frankenstein finds the monster and trains him to do a little "Puttin' On the Ritz" soft-shoe, but the monster escapes again, this time seducing Frankenstein's uptight fiancée Elizabeth (Madeline Kahn) with his, ahem, sweet mystery. His love life and experiment in shambles, Frankenstein finally finds a way to create the being he had planned. Shooting in gleaming black-and-white, with sets and props from the 1930s and appropriate fright music by John Morris, Brooks' cheeky attitude towards the Hollywood past attracted a large audience, turning it into one of the most popular 1974 releases after (what else?) Blazing Saddles.
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Een jonge neurochirurg erft het kasteel van zijn grootvader, de beroemde Dr. Victor von Frankenstein. In het kasteel treft hij de gebochelde Igor, de mooie assistente Inga en de oude huishoudster Frau Blucher aan. De jonge Frankenstein vindt dat het werk van zijn grootvader niets voorstelt, maar wanneer hij het boek vindt waarin de gestoorde dokter zijn experimenten beschreef verandert hij van mening.

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