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Elizabeth's heart is broken. For solace, she drops in late at night a few times at Jeremy's diner for blueberry pie a la mode; they talk. Once, he watchers her sleep, her head on the counter. Abruptly, she leaves New York City to get away from her pain. She works a couple of jobs in Memphis. There, a heart-broken cop is drinking himself into oblivion, his ex occasionally showing up where he drinks and Lizzy works. Then, she's in Nevada, working at a casino where she uses her savings (she wants a car) to stake Leslie, a busted gambler, in a high rollers' game. After, Beth drives Leslie to Vegas where Leslie's estr...
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anged father lives. Broken relationships. What about Jeremy?
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With his first English-language film, beloved Hong Kong director Wong Kar-wai's touch loses none of the seductive luster and magic that made his Chinese films so popular. MY BLUEBERRY NIGHTS follows the fortunes of Elizabeth (Norah Jones), who after having been left by her boyfriend, sets out across America to find herself and recover. She makes a stop in Memphis, where she pulls double-duty at a diner by day and a bar at night, and watches the disintegration of another pair of troubled lovers (David Strathairn and Rachel Weisz). She moves on to Nevada where she befriends a vivacious card player and smalltime hus...
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tler (a delightfully saucy Natalie Portman) who challenges her notions of contentment. However, it is New York City and the arms of an English café owner (Jude Law) for which Elizabeth's heart truly longs and ultimately returns.
While MY BLUEBERRY NIGHTS isn't Wong's best film--as it suffers from some clunky, heavy-handed dialogue and some frustratingly broad performances--it still contains all of the hallmarks of his aesthetic, and is therefore hard not to fall for. The film is undeniably beautiful, and features the director's trademark visual sense: shimmering neons, lush chiaroscuro, and swirling slow-motion images. It makes for a seductive view of America, one populated by swaggering, yet deeply melancholic drifters that listen to Otis Redding and Ruth Brown, drink too much, and love even more. The sadness and tears that emerge from America's taverns in the wee hours are as breathtakingly alluring as its natural landscapes. In Wong's hands, everything is cast in the light of joy-life and death, suffering and happiness-and the same goes for his understanding of America. Whether this America ever existed is wholly irrelevant; for when you watch a Wong movie, you happily enter his country, wherever that may be.
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Legendary filmmaker Wong Kar-Wai directs Jude Law, Natalie Portman, Rachel Weisz, and Norah Jones in his first English-language feature film -- a romantic road movie detailing the cross-country journey of a woman who sets off across the United States in hopes of mending her broken heart. Elizabeth (Jones) has just been through a particularly nasty breakup, and now she's ready to leave her friends and memories behind as she chases her dreams across the country. In order to support herself on her journey, Elizabeth picks up a series of waitress jobs along the way. As Elizabeth crosses paths with a series of lost so...
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uls whose yearnings are even greater than her own -- including a troubled cop (David Strathairn), his estranged wife (Rachel Weisz), and an embittered gambler (Natalie Portman) -- their emotional turmoil ultimately helps her gain a greater understanding of her own problems.
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Na een pijnlijke liefdesbreuk komt de jonge Elizabeth (Norah Jones) verward terecht bij een café-uitbater in New York (Jude Law). Na de man herhaaldelijk bezoekjes te brengen, besluit ze om Amerika rond te trekken op zoek naar zichzelf. Onderweg ontmoet ze allerhande mensen die haar weten te raken en voor nieuwe situaties zorgen. Ondertussen blijkt de cafébaas hopeloos op zoek te zijn naar Elizabeth.
My Blueberry Nights News Articles
Financing On Jan de Bont 's ' Mulan ' Starring Zhang Ziyi Falls Apart Production on any Wong Kar-Wai film is never simple but his latest effort looks to be taking the cake with the Ip Man biopic "The Grandmasters" reportedly facing even more delays on its already extended production. THR reports that completion of Wong's latest effort--his first film since 2007's " My Blueberry Nights "--has now been "delayed until the fourth quarter" of 2011 taking production well into it's second year. Lensing began all the way back in December of 2009 with a star studded cast toplined by Tony Leung and Zhang Ziyi …
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