Talk to Me (2007)

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The true life story of Ralph Waldo "Petey" Greene Jr. In the mid-to-late 1960s, in Washington, D.C., vibrant soul music and exploding social consciousness were combining to unique and powerful effect. It was the place and time for Petey to fully express himself - sometimes to outrageous effect - and "tell it like it is." With the support of his irrepressible and tempestuous girlfriend Vernell, the newly minted ex-con talks his way into an on-air radio gig. He forges a friendship and a partnership with fellow prison inmate Milo's brother Dewey Hughes. From the first wild morning on the air, Petey relies on the mor...
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e straight-laced Dewey to run interference at WOL-AM, where Dewey is the program director. At the station, Petey becomes an iconic radio personality, surpassing even the established popularity of his fellow disc jockeys, Nighthawk and Sunny Jim. Combining biting humor with social commentary, Petey openly courts controversy for station owner E.G. Sonderling. Petey was determined to make not just himself but his community heard during an exciting and turbulent period in American history. As Petey's voice, humor, and spirit surge across the airwaves with the vitality of the era, listeners tune in to hear not only incredible music but also a man speaking directly to them about race and power in America like few people ever have. Through the years, Petey's "The truth just is" style --- on - and off-air - would redefine both Petey and Dewey, and empower each to become the man he would most like to be.
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TALK TO ME's Ralph Waldo "Petey" Greene isn't quite the household name that some of his contemporaries (such as Richard Pryor or Redd Foxx) are, but this smart drama about the Washington, DC, disc jockey is a fascinating film. At the film's opening in the mid-1960s, Greene (Don Cheadle, HOTEL RWANDA) hosts a beloved radio show--at the prison where he makes his home. While visiting his incarcerated brother, Dewey Hughes (Chiwetel Ejiofor, INSIDE MAN) hears Greene's brash humor and honesty, but he brushes off Greene's attempts at a job at the radio station where Hughes works. But Greene is soon released from prison...
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, and he won't forget his dreams of hosting his own radio show. He hounds the staff of a Washington R&B station, including Hughes and the station manager (Martin Sheen, THE WEST WING). When he finally gets a job, his show resonates with the people of the city and the changing times of the civil rights movement.

TALK TO ME could be just another biopic or racial drama, but thanks to its fine cast, it rises above the standard fare. Cheadle is engaging as the electric Petey Greene, equally adept at portraying both Greene's pathos and his humor. While Ejiofor has excelled in smaller roles in INSIDE MAN and CHILDREN OF MEN, this drama could represent a chance for him to move into leading-man territory. Henson was wonderful as the meek Shug in HUSTLE & FLOW, but she ably transforms into the vivacious Vernell here. Director Kasi Lemmons (EVE'S BAYOU) lets the performances drive the film, but they're supported by a strong script and period details that make the film worth watching.
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Don Cheadle stars as outspoken ex-convict and iconic radio personality Ralph Waldo "Petey" Greene in a powerful biopic detailing the life and career of a media figure whose voice instilled the black community with hope during the turbulent 1960s. After talking his way onto the Washington, D.C. airwaves in the era of free love, a man emboldened by the inspirational soul music and rapidly expanding social consciousness that defined the decade openly courts controversy as his put-upon producer, Dewey Hughes (Chiwetel Ejiofor), runs interference.

Het waargebeurde verhaal over Ralph "Petey" Greene, een ex-gevangene die zijn eigen mening aan de wereld wil verkondigen. Dit leidt er toe dat hij één van de meest spraakmakende radio-presentatoren van de jaren '60 wordt. Zijn verhaal en stijl gaven een stem aan de zwarte bevolking en de sociale misstanden in het land, wat bepaald niet makkelijk was.

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Talk to Me News Articles

Buika: En Mi Piel (Best Of) – review

(Warner Jazz)Feted in Europe for her smoky vocals and flamenco-soul fusions, this Spanish diva has yet to make an impact here, though her melodramatic theme tune for Pedro Almodóvar 's The Skin I Live In will surely have turned ears her way. "Por El Amor de Amar" opens a two-cd selection of her output, most of it in a jazzy, nu-flamenco style created by guitarist/producer Javier Limón. The slinky "No Habra Nadie" and "En El Ultimo Trago", featuring Cuban pianist Chucho Valdes, are among the standouts, with cheesier tracks such as " Talk to Me " and "You Get Me", a duet with Seal, in support.JazzWorld musicPedro AlmodóvarNeil Spencerguardian.co.uk © 2011 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds
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