Raging Bull (1980)

Film over Jake La Motta die terugkijkt op zijn carrière. In 1941 wilde hij meer bereiken en zich voorbereiden op zwaargewicht boksen. Hij stond bekend als een bokser die ongelofelijk gewelddadig was en daarom ook niet te stoppen was in de ring. Hij was dat ook buiten de ring: zo sloeg hij zijn vrouw en zijn broer.

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With RAGING BULL, Martin Scorsese's personal approach to filmmaking is taken to a whole new level. Shooting in a crisp black and white, Scorsese tells the story of middleweight boxer Jake La Motta, played with incredible intensity by Oscar winner Robert De Niro. As La Motta rises through the ranks to earn his first shot at the middleweight crown, he falls in love with Vickie (Cathy Moriarty), a gorgeous girl from his Bronx neighborhood. Jake's inability to express his feelings pours out in the ring and eventually takes over his life in his dealings with his brother, Joey (a brilliant Joe Pesci). Irrational jealou...
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sy over Vickie, as well as an insatiable appetite, sends him into a downward spiral that costs him his title, his wife, and his relationship with Joey. As the out-of-control fighter, De Niro delivers one of the screen's most unforgettable performances. Pesci is just as intense as Joey, who finally realizes that he is unable to tame his animalistic brother. Cinematographer Michael Chapman shoots the film with a stylish flair that fills the boxing scenes with boundless energy and adds immediacy to the arguments that erupt whenever Jake is outside the ring. Simply put, RAGING BULL is one of American cinema's masterworks.
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Martin Scorsese's brutal character study incisively portrays the true rise and fall and redemption of middleweight boxer Jake La Motta, a violent man in and out of the ring who thrives on his ability (and desire) to take a beating. Opening with the spectacle of the over-the-hill La Motta (Robert De Niro) practicing his 1960s night-club act, the film flashes back to 1940s New York, when Jake's career is on the rise. Despite pressure from the local mobsters, Jake trusts his brother Joey (Joe Pesci) to help him make it to a title bout against Sugar Ray Robinson the honest way; the Mob, however, will not cave in. Jak...
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e gets the title bout, and blonde teenage second wife Vickie (Cathy Moriarty), but success does nothing to exorcise his demons, even as he channels his rage into boxing. Alienating Vickie and Joey, and disastrously gaining weight, Jake has destroyed his personal and professional lives by the 1950s. After he hits bottom, however, Jake emerges with a gleam of self-awareness, as he sits rehearsing Marlon Brando's On the Waterfront speech in his dressing room mirror: "I coulda been a contender, I coulda been somebody." Working with a script adapted by Mardik Martin and Paul Schrader from La Motta's memoirs, Scorsese and De Niro sought to make an uncompromising portrait of an unlikable man and his ruthless profession. Eschewing uplifting Rocky-like boxing movie conventions, their Jake is relentlessly cruel and self-destructive; the only peace he can make is with himself. Michael Chapman's stark black-and-white photography creates a documentary/tabloid realism; the production famously shut down so that De Niro could gain 50-plus pounds. Raging Bull opened in late 1980 to raves for its artistry and revulsion for its protagonist; despite eight Oscar nominations, it underperformed at the box office, as audiences increasingly turned away from "difficult" films in the late '70s and early '80s. The Academy concurred, passing over Scorsese's work for Best Director and Picture in favor of Robert Redford and Ordinary People, although De Niro won a much-deserved Oscar, as did the film's editor, Thelma Schoonmaker. Oscar or no Oscar, Raging Bull has often been cited as the best American film of the 1980s.
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