The Untouchables (1987)

Aka: Untouchable

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Federal agent Elliot Ness assembles a personal team of mob fighters to bring Chicago crime boss Al Capone to justice using unconventional means during the mob wars of the 1920s. This fictionalized account of the arrest of Al Capone is heavy on style and gunfire. The end shootout combines a baby carriage and stairs with a nod to Eisenstein's _The Battleship Potemkin_.

Kevin Costner is idealistic federal agent Eliot Ness, whose assignment to clean up Prohibition-era Chicago leads to violence and manly questions about upholding the law. Initially powerless to stop the flow of booze into the city (the police force is corrupt and everyone in town seems to be on the mob's payroll), Ness finds guidance from an older streetwise cop (Sean Connery, who won an Academy Award for this role) who convinces him he'll need to break some rules if he wants to bring down head mobster Al Capone (Robert De Niro). Andy Garcia and Charles Martin Smith play Ness's other recruits, who together must st...
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and tall against a city full of assassins. Director Brian De Palma (MISSION: IMPOSSIBLE) packs the film with violence and creative camera movements while David Mamet's intelligent script capably dodges cliché at every turn. There's a real sense of what's at stake for these characters on a personal level, which contrasts nicely with the futility inherent in enforcing Prohibition in the first place. The film is based on the autobiographical book by Ness (cowritten with Oscar Fraley) and the 1959-63 TV series; Ennio Morricone (THE GOOD, THE BAD, AND THE UGLY) composed the uninhibitedly bombastic score.
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Chicago is in de jaren dertig, de tijd van de drooglegging, een gewelddadige, corrupte stad. Chicago is ook de stad van Al Capone, de legendarische gangster-zwendelaar. Niemand is er tot nu toe in geslaagd zijn absolute macht over de georganiseerde misdaad in te perken. Tot het Treasure Departement beslist om het vuile karweitje te laten opknappen door een ietwat bescheiden figuur, Eliott Ness. Ness heeft slechts één doel voor ogen: slagen in zijn opdracht. Maar om in Chicago te overleven heeft hij bondgenoten nodig, waarop hij in alle omstandigheden kan rekenen. Hij krijgt de steun van Malone, een onverwurmbare ...
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luidruchtige Ierse politieofficier, die hem de harde wet van Chicago wil aanleren. Zijn andere medestanders recruteert hij binnen het Treasure Departement zelf. Stone, een onstuimige kerel en een voortreffelijke schutter, en Wallace, een humoristische, maar vastberaden boekhouder.
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Like the TV series that shared the same title, The Untouchables (1987) was an account of the battle between gangster Al Capone and lawman Eliot Ness, this time in the form of a feature film boasting big stars, a big budget, and a script from respected playwright David Mamet. Kevin Costner stars as Ness, a federal agent who has come to Chicago during the Prohibition Era, when corruption in the local police department is rampant. His mission is to put crime lord Capone (Robert De Niro) out of business, but Capone is so powerful and popular that Ness is not taken seriously by the law or the press. One night, discour...
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aged, he meets a veteran patrolman, Jimmy Malone (Sean Connery), and discovers that the acerbic Irishman is the one honest man he's been seeking. Malone has soon helped Ness recruit a gunslinger rookie, George Stone (Andy Garcia), and, joined by nebbish accountant Oscar Wallace (Charles Martin Smith), the men doggedly pursue Capone and his illegal interests. At first a laughingstock, Ness soon has Capone outraged over his and Malone's sometimes law-bending tactics, and the vain mobster strikes back in vicious style. Ultimately, it is the most unexpected and minor of crimes, tax evasion, which proves Capone's undoing. All of the credits for The Untouchables boasted big names, including music from Ennio Morricone and costumes by Giorgio Armani. Director Brian De Palma continued his tradition of including a homage to past masters of the cinema with a taut stairway shoot-out reminiscent of a similar sequence in Sergei Eisenstein's Battleship Potemkin (1925).
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The Untouchables News Articles

Dum Maaro Dum – review

This entertaining if overlong Bollywood thriller is more than a little reminiscent of The Untouchables . By this, I mean it centres on an elite team of cops appointed to clean up Goa and nail the state's secret Mr Big the way Eliot Ness and co were let loose on prohibition-era Chicago, not that it's a film about the now unnamable lowest rung on India's caste system.The director keeps his foot firmly on the accelerator, the sex and violence are more extreme than is customary in Mumbai flicks, and the dance numbers are largely confined to the drug-fuelled raves that are part of the culture targeted by assistant commissioner of police Vishnu Kamath's detectives. (The film's title, taken from a hit song of 1971, translates as "Puff take a puff", a less than veiled reference to smoking pot.)The local authorities have taken strong exception to the film-makers' assertion that Goa
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