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A young boy makes a wish at a fairground machine to be big. He wakes up the following morning to find that his wish has been granted and his body has grown older over night. But he is still the same 12 year old kid on the inside. Now he must learn how to cope with the unfamiliar world of grown ups including getting a job, and having his first romantic encounter with a woman. What will he find out about this strange world?
Josh maakt, bij een machine op een kermis, een wens om groter te zijn. Hij wordt de volgende ochtend wakker en de wens blijkt waarheid te zijn geworden. Hij heeft een lichaam van iemand van dertig maar van binnen is hij nog steeds 13. Nu moet hij leren te leven als een volwassene, want de kermis is weg. Hij zal dus een gewone functie in de samenleving moeten nemen totdat hij de machine heeft gevonden om de wens om te draaien.
A boy asks a mechanical swami at a fair to grant his wish to be grown up -- oops! Luckily his best friend recognizes him and helps him get a job at a toy factory where his fresh, uncomplicated innocence wins the president's respect, his colleagues' envy -- and a beautiful woman's love. Academy Award Nominations: Best Actor--Tom Hanks, Best (Original) Screenplay.
More than anything else, 13-year old New Jerseyite Josh (David Moscow) wants to be "big". That's the wish he makes at an odd-looking amusement pier fortunetelling machine. The next morning, Josh wakes up-only to discover that he's grown to manhood overnight! (At this point, the part is taken over by Tom Hanks). Still a 13-year-old mentally and emotionally, Josh decides to hide out in New York City until he can figure out what to do next. He lucks into a job with a major toy company run by kid-at-heart McMillan (Robert Loggia). By cannily bringing a child's eye view to McMillan's business, Josh rises to the top-an...
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d in process, he falls in love with fellow employee Susan (Elizabeth Perkins). But he's still a kid, and he'd like to go back to his own world and own body. Written by Gary Ross and Anne Spielberg, Big proved a crucial success for budding director Penny Marshall, who'd work harmoniously with Hanks again on the radically different A League of Their Own. The cinematography was by Barry Sonenfeld, who went on to become a director himself with The Addams Family. That Big was heavily reliant upon the input of Tom Hanks and Penny Marshall was proven by the failed attempt to turn the property into a Broadway musical.
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