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Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. In Japan, however, he manages to escape. As they try to track him down, they get deeper and deeper into the Japanese Mafia scene and they have to learn that they can only win by playing the game the Japanese way.
Director Ridley Scott's international crime thriller stars Michael Douglas as Mike Conklin, a New York detective under investigation for corruption. When yakuza hit man Sato (Yusaku Matsuda) kills two American mobsters in New York, he's extradited to Osaka to face trial, with Conklin and Charlie Vincent (Andy Garcia) as his escorts. Mistakenly turning over their prisoner to yakuza disguised as police, Conklin and Vincent realize, after running down some blind alleys, that they have no chance of finding Sato in the unfamiliar city and enlist the services of Japanese desk cop Masahiro "Mas" Masumoto (Ken Takakura)....
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While relaxing with Mas at a karaoke bar, the cops also get information on the world of the yakuza from Joyce Kinglsey (Kate Capshaw), a high-class bargirl. As they continue the search for Sato, the scrupulous, methodical, and civilized style of Japanese police work rubs the improvisational, rule-breaking Americans the wrong way. But when Vincent is murdered, Mas and Conklin realize that success will come only through a blending of investigative and cultural styles. The almost impenetrably sooty, neon-saturated city of Osaka is superbly photographed by future director Jan de Bont.
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The title refers to the radioactive fallout which descended upon ruined city of Hiroshima after the dropping of the first atomic bomb. Young bride-to-be Yoshiko Tanaka has the misfortune to be visiting Hiroshima on the day of the explosion. Incredibly, she is unhurt; she returns to her own village, across the bay from Hiroshima. Unfortunately, her townsmen have been profoundly affected by the "black rain"; over the next five years, the poison in their systems slowly but surely erodes their souls. In a tragic state of denial, Yoshiko's former friends insist that they can't be sick-it must be the girl who is bringi...
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ng sickness to them. Now a pariah, Yoshiko's life is shattered as surely as if the bomb had disintegrated her upon impact. Director Shohei Imamaura, a onetime assistant to the great Ozu and the director of such Japanese classics as The Insect Woman and The Ballad of Narayama, never sensationalizes his material; the story is effective told in a muted, subdued fashion, allowing the horror to arise from the inner torment of the characters rather than being artificially imposed by camera trickery or "shock" cutting. Based on a novel by Masuji Ibuse, the black-and-white Black Rain won the Japanese equivalent of the Academy Award, along with several other honors.
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Twee agenten uit New York raken betrokken in een gangsteroorlog tussen de leden van the Yakuza, de Japanse maffia. Ze arresteren een van hun moordenaars en hebben orders om hem te escorteren terug naar Japan. Maar in Japan weet de moordenaar te ontsnappen. Wanneer zij proberen om hem te vinden, raken ze dieper en dieper in de japanse maffia scene en moeten ze leren dat ze alleen kunnen winnen, door het spel te spelen op de Japanse manier.